Since I live in Mexico, I don't get to chat with other authors too much about how they do things. Sure, I email and IM some, but that's not quite the same as attending a meeting and talking. There's some of that at the conferences I attend, but you know how those are as well. So quite often, I'm just laboring along on my books like a hermit crab
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Jeanne
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In general, when I'm stuck I assume that my subconscious (my muse, I suppose!) is trying to tell me something. If I push on without figuring out what, I'll end up deleting huge chunks. So, I take a step back and think about the book on a meta-level. (This usually involves going outside to walk my dog, babbling at my CPs online, and lots of scrawling in my notebook.) For my ending-lack, I looked for themes, for patterns, that kind of thing. Why am I writing this book? Am I experimenting? Asking or answering a thematic question? Where do I want it to end for my MC, emotionally and mentally? I know where he is at the beginning, how do I want him to change? What will it take to get him to the new/end place?
It doesn't always help right away, sadly, but eventually this kind of meta work gets me unstuck.
Tessa
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I'm an outliner, and I write the ms from start to finish with no jumping around. So when things come unstuck it's because the outline's broken, and to fix it I go back to goal-motivation-conflict.
I don't think I have a muse. More like a steampunky plotting machine with rusty cogs :) it doesn't always think of everything.
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