Part One (By Pitza)
Part TwoPart ThreePart FourPart FivePart SixPart SevenPart EightThe small room is furnished with a table and chair. Its walls are painted a non-confrontational pale yellow, and there are two inoffensive prints to break up the monotony. Wilson knows that the incandescent lighting and the décor are supposed to manipulate him
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Comments 34
I loved this line:
If he is a butterfly, she is a collector with sharp pins and a board.
So is he also trapped by Princeton? By his failed marriage and the sale of the house? By his own history and his pathology of caring too much?
Now I'm looking forward to finding out where House has gotten himself to.
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The pathology is what's making Wilson feel trapped, he's having trouble letting go. I cut two very calm scenes at the end because I realized I can cover the same material in the next part and it will mean more coming from House's perspective. And this part was already close to 5.000 words. Any more would have been too much. But I'm afraid I cut out some of Wilson's internal stuff that's important.
I did struggle with this part. It took me a month to write, and that's unusual.
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It's always good when the weather outside suits what you're reading.
I'm looking forward to the finale so I can go back and read the piece as a whole.
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I previously attempted a piece with three points of view of one event, but it didn't work very well, and I set it aside. I have been playing with multiple perspectives for about ten years in my original work, so it's nice to be able to put that to good use.
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FWIW, I think the dialogue is pretty in-character; certainly nothing strikes me as seeming "off".
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