I love that picture of Joss in your icon. Yeah, he pretty much rules. And in this particular case, not just because he says "porn is fine," though, yay, but because, oh, damn, just because he's so freakin' brilliant and out there with his darkness and his politics.
Do you suppose that's what was missing from DHSAB for you? Because the dual life that Billy/DH (hm...DH Doctor Horrible and DH Dollhouse, hm...) lives resonates for me personally, as does his terrible reticence to speak to the girl he likes, and as do all the stories he tells himself about how one single attainment will make him into a the "real person" he was meant to be.
I have yet to find that element in Dollhouse, but the notion of it being there makes me a little more interested in watching it.
The absent center--that's the one. Classic example: "The Big Chill." Dollhouse is an interesting take on that idea. Caroline is missing, or, put another way, in Echo, there's no there there.
I think seeing Sierra being dolled for the first time was what made us sympathetic toward her. "She hurts," Echo informs us. The transformation to nothingness is painful.
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<3 Joss.
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I have yet to find that element in Dollhouse, but the notion of it being there makes me a little more interested in watching it.
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I think seeing Sierra being dolled for the first time was what made us sympathetic toward her. "She hurts," Echo informs us. The transformation to nothingness is painful.
Why am I thinking about Jubal Early now?
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