A/N: I found this stuffed into a folder; it was a sort of series of irritable 'top ten' lists, so here's the first.
(10) Jane Austen did not write romances. She did not write proto-chick lit. She wrote, for lack of a better word, novels. (See Northanger Abbey for a better explanation
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Re #10: There seems to be a bit of a free-for-all going on about how Jane Austen is to be regarded. I think the chicklit and romance novelist people are claiming her partly in hope of borrowing her air of legitimacy for their own genres. But they're making a lot of noise, and I think they may be swaying popular views. Especially since people have associated her with "that guy that makes women hot" ever since the Colin Firth thing.
Re #4: THANK YOU. I have truly lost patience with the whole "It's X's fault that Y is such a jerk, because X didn't make Y change!" line of argument. Even if that's how the commenter truly sees things, can't they accept that Jane Austen didn't hold the same views?
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I know exactly what you mean! I was a fan of Jane Austen before that particular "wave" hit, and the further it's gone, the more out-of-touch I feel. I don't feel like I fit in with either the "fan club" or the ivory tower.
'but if he doesn't change, then Lizzy doesn't get credit for it!'
That's interesting, because I usually see people wanting to argue that Darcy really doesn't change. I think they feel like it would take away from his status as The Perfect Romance Hero if he had actual flaws at the beginning, rather than a misunderstood endearing shyness.
The idea of people getting credit for others' improvements (though nobody suggested Darcy should get credit for her post-Letter epiphany), or taking the blame for their lack of them, seem to me the consequences of the same basic idea.
I first came across it when my Jane Austen group read Evelina. The main character's grandfather made a disastrous marriage with ( ... )
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2 -- *blinks* We are definitely moving in different circles. My crew tends towards the 'Elizabeth is charming and perfect and delightful and she TRANSFORMS him and even so he is still not worthy of her wonderfulness.' Strangely, this seems to be part of the Great Romantic thing going on. Ick ( ... )
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‘light’ is not some obscure code for ‘voluptuous.’
It's a very good answer to all the criticism against Keira Knightley as a realistic portrayal of Elizabeth.
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