The elevator doors creak open to an entirely unfamiliar deck, both to the new explorers and those present for the last mutiny. The smell is chokingly foul, the offensive stench of formaldehyde, blood and death hanging in the air. The temperature is noticably colder than anywhere else on the ship
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"Usually rooms like this have zombies and stuff."
She cautiously makes her way to the camera.
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It stares blankly at her.
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He goes against all his fears and instincts and approaches the operating tables in the center of the room first. He rubs at his arms to fight the chill and then goes through the motions. He once again checks for anything at all that could clue him in that his bandmates has been there.
Eventually, his gaze goes to the video camera. He taps it, then tries to see if there's anything recorded on it.
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Redd is in surgical blues and around the surgical table stand an assemblage of figures. Their skin is white as ash and they have no eyes, no nose, just a wide, lipless slit for a mouth and in hands far too small for their bodies they hold surgical implements.
There is a figure on the table, held down by wide leather straps. It seems to be a man and he's whimpering in fear.
"Dear, dear Captain," he whines. "Please, great Redd, mighty Redd, perfect, beautiful Redd, please, please don't cut me up, please! I'll tell you everything! I'll tell you where they're waiting for you!"
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"You've already told me everything, duckie," Redd says as he begins to cut the shirt off the man. "This will be your final act of service to the great Redd, hmmm?"
The man struggles, but it's useless.
"But I didn't tell you about the ambush! The ambush ahead!" he insists.
Redd pulls the scraps of cloth off and tosses them to the floor.
"Not for you!" the man cries. "To turn him against you! It's figuring out how you're powering the system! It knows what they were developing--"
Redd stops, taps the scalpel's blade against the heaving chest.
"But ducky, you just told me," Redd says with a light smile. "And I'm faster, hm? And it doesn't matter if the eagle is there. My two hounds willrip it to shreds--especially if I stop giving him his medicine. Now, then, let's begin~The man begins to scream in earnest as Redd ( ... )
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Nothing interesting under here but a Playboy from 1969.
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Too late Leo, he saw the blood. If it was possible for a turtle to go pale, he would have done it. Instead, he instantly went silent, turning his eyes away and following Leo without a word.
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There are too many drawers; hundreds of them. There's no way they're going to make through even a fraction of them before they have to leave to start collecting the groups. Leonardo's gaze sweeps over the cabinets. "...check the ones with blood smears on them." And he moves forward to do just that, drawing one open quietly.
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A dead woman, everything below her waist charred black. In death, at least, she seems a bit peaceful.
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Might as well head to the center of it, too. And there are those tables, soaked in blood, ..and the camera. That scaled hand of his ( In case this thing decides to eat him) slides forward and waves in front of it. Nothing? Good.
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