So I've been to busy to follow Mark as he watches season 3 of Buffy. To those of you who do follow him, how's he doing? Is the Buffy/Angel stuff grating on him to (it's my biggest complaint about season 3 - there are some flawless episodes there, but the season long arc is ruined by Buffy and Angel's nine-month long breakup. One that will
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I still find him a bit superficial, but I am enjoying many of the coded comments.
Oh, and he's now doing both Buffyverse shows, with crossovers on the same day.
And he hopes Joyce won't get an aneurysm from buying Buffy's books. :-(
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And the consequences are - horrible. You can only truly grow up when revisiting ("working" through, one could say) the "softly lit fiction that has no power to hurt you" (and it is only consequent that the last remaining parental figure dies right away at this threshold - you're an adult yourself, now).
Back to your main point: I actually agree and i don't think that scene is jarring. Angel comes blazing into town to bring the solution - only to leave in his CEO style limousine humbled.
(And he's knocked out during the climax of the Buffy<->Caleb fight. Angel: Giles much?! ;-)
In between the harsh fight (of all of season 7), this softly lit scene bellows "romanticism" - when the whole narrative hinges on "shed your romanticism!"
Buffy leaving hellmouths, apocalypses, the world bigger than life (and a vampire lover) behind.
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That's an idea that local-max and I have been discussing for quite a while now. That Season 8 delves into the symbolism of "Chosen" in a big way when it comes to exploring Buffy/Angel. The difference between "Chosen" and 8.33 is that Buffy accepts Angel, under far worse circumstances, because she's not at a point where things are starting to make sense (lol cookie dough, but that's what it means for her), where as at 8.33 she's totally lost and despairing. She can reject nostalgia when she's strong, but when she's weak, when she's been beaten and degraded and demoralized the entire season? Boom.
the whole narrative hinges on "shed your romanticism!"
Buffy leaving hellmouths, apocalypses, the world bigger than life (and a vampire lover) behind.
WORD
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