Title: the brave soul
Character/Pairings: Pam; Jim/Pam, Pam/Toby, Pam/Roy
Rating: PG
Word Count: 3,551
Spoilers: "Business School"
Summary: There are certain paintings she leaves out. She doesn't like looking at them; they feel like accidents more than anything else.
Author's Note: This last episode reminded me exactly why and how much I love a
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p.s. Thank you for pointing out the missing 'and'! You . . . are a hero. (Like, say, Kevin. ;-D)
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(Mmk, enough with the creepy).
Creed's comment was spot on and amazing. I've read a couple of Pam-centered fics by other authors and none of them really seem to capture her so exactly as you did here. The idea of her presenting this facade about how she didn't hear Oscar and Gil was done in a very timid Pam way. And... I dunno. This entire fic (and all your fics, really) just always seem like they could be part of the show. Not many authors can pull that off.
Also? I love you for infinity because you mentioned painting GRANDMA SCHRUTE. Oh, man.
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You _slay me_.
I love how this is perfectly in canon and feels so accurate on all levels.
The drawings of the teapot and the crumpled blue dress...perfect touches. If Pam did have them, I'm sure she'd feel the exact mixture of shame and confusion with which she regards them here.
The Creed joke was funny, indeed.
The exchanges with Toby, Jim and Roy all broke my heart for different reasons. It's clear even here that Jim is the best in the office for her, but I couldn't help feeling sympathy for all the pairings (just as I do on the show).
Other great touches: the small, floral couch that Roy doesn't fit on, his hole-y sock.
Finally, I love how the drawing she starts at last will become iconic of her imperfect present. Will that help her accept it? Or will it symbolize that she has to move on? I think Pam could go either way.
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AWESOME. Very much the vibe that I was going for; I felt like I was maybe being too obscure in that last section, so I'm so glad that you picked up on it.
Thank you so much for the excellent feedbackin'! :)
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“They looked real,” he says. “All three-dimensional and stuff. It’s pretty cool that you know how to do that.”
AUGH. And Toby, and Jim, and just all of it. This is totally ineloquent feedback, but this captured the feel of Pam in that episode, and what she must be experiencing right now, absolutely perfectly.
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