And indeed, sitting nearby, at a table, is a very focused 17th century French man with a rather big nose, writing frantically on the last parchment of a very thick pile. If anyone inquires, he will gladly answer any questions.
T: The play? It's
here. Well. Its outline, anyway. Original names but a common plot for a 17th Century French Comedy a
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“Well then,” he says, smiling. “Would you read, for me? The Monologue of the first act, please.”
The typist should feel free to either improvise or handwave, evidently.
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"And you've never played the male ingenious, before?" Archly.
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"Congratulations. You have the part."
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"Tr-truly? Oh --" He clasps his hand in gratitude. "Thank you, sir! Thank you!"
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"But I thank you, on the contrary. I do hope you will be available to read your lines with your counterpart."
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"Well then." A pause, a hesitation, and as Cyrano feels for Alfred, he tells him something he did not tell the other players. "When you visit her, only call her by name. She is a bit rough around the edges, but gifted, aye?"
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