There is, at the top of the main staircase, a heavy oak door with a frosted glass panel, like a monochrome sunset, over the frame. On the door, at eye level, is a brass nameplate. “Ariane Emory, Pysch.,” it says, in deeply engraved letters
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She pauses for a moment, then asks: "Are the nightmares about that?"
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She meets his eyes, her shoulders loose, not smiling, but her mouth quirked enough for it to be clear she's not frowning, either. "Would you like to have a seat and keep talking about it? Or would you like to stop for now and I can give you that dreaming exercise?"
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