We know that Tom’s appearance deteriorated during the same time period he was making Horcruxes. Dumbledore and Harry seem to believe this is cause and effect: you split your soul, and your face gets melty-looking.
Are they correct, though?(
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Some kind of experimental spell with unanticipated side effects seems like a strong possibility.
That is a good question about soul-splitting and magical power. Can the divided pieces keep in some kind of mystical contact to keep one's power level consistent? It doesn't seem like they're closely connected, if at all--book!Voldemort doesn't know when a Horcrux is destroyed. Can a soul-piece channel the same amount of magic as before, because it isn't a strictly physical process? Or has Voldemort's magic gotten progressively weaker? And if so, did he realize what was happening, or did it muddle his perceptions too?
And if that's a weakened Voldemort, what kind of magic was he capable of before he started chopping off bits of his soul?
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He does hold his own against Dumbledore at the Ministry.
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Following that hypothesis the zombie/revenant could control the decay of the body by magic; but what happens to magic after one has ripped off pieces of the self? Keeping the corpse functional enough to look odd but normalish would take, not power as such I don't think, but focus; the more time passes, the harder is to keep all the details correct.
This would ensure the complete disintegration of the body after the clearly described explosion caused by the collision between furnace-burning mother love and cold green. Green! The colour of absolute eeeevil! Destroy all green things! Death ( ... )
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He also mentioned having to mentally hold himself together while in Vapormort form. Hm...
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But... Hey! See? I wasn't so far off, then. :D
I forgot to tell you how much I admire your brilliant efforts to make sense of the senseless. I'm not much good at Watsonian reading, being by nature and nurture a Doylist to the core, but I enjoy Watsonian comments so so much! Thank you.
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Don't worry about timing! I spend my workdays at a computer and sometimes end up with headaches or too much wrist and arm pain to then spend more time on the computer for non-work reasons, so I'm never going to pressure to get online and start typing. I know how many good reasons there are people might need to not do that!
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"When in crime one is fully employed / Your expression gets warped and destroyed: / It's a penalty none can avoid. / I once was a nice-looking youth." --Sir Despard Murgatroyd, Baronet of Ruddigore.
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Don't the boys find Voldemort's eyes in the locket? Doesn't Ron have to stab the eyes to kill the horcrux?
What I therefore assumed was that, whatever other evil thing he'd done, Voldemort would also have to give up one of his body parts and implant a fraction of his soul in it whenever he made a horcrux. I think that's what Rowling meant to imply. That implication, is, of course, weakened by her inconsistency. We don't see Voldy's nose in the cup, his left ear in the tiara, and so on!
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Hmm, if Tom left an eye in the locket, how come he had both eyes after his re-embodiment, but not his nose?
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Hm. The only other Horcrux we got a really good look at was the diary, I think. That one kind of has Tom's full appearance in the Pensieve-like memory function, but that might not "count," since it shows other people too, and it didn't rip bits off them. The main thing we see in the diary is... Tom's mind behind the "chat" function.
Maybe that's an argument for his having implanted the memories while in school but having created the diary as a Horcrux well afterward. ( ... )
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Hm. We don't actually see Barty Jr. after he loses his entire soul, I think--McGonagall just reports it. Does he "fade" in any noticeable way, I wonder?
This raises another question: if the soul and body are so tightly linked that ripping off a chunk of soul also diminishes part of the body, does it work the other way around? When Moody lost an eye and a leg and part of his nose, did he also lose little wisps of soul? Talk about unfortunate implications...
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Robin: My face is the index to my mind, / All venom and spleen and gall! / Or, properly speaking, it soon will be reeking / With venom and spleen and gall.
Old Adam: My name from Adam Goodheart, you'll find, / I've changed to Gideon Crawle, / For a bad bart's steward whose heart is too hard / Is always Gideon Crawle.
Both: How providential when you find / The face an index to the mind, / And evil men compelled to call / Themselves by names like Gideon Crawle ( ... )
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