Hiro Nakamura is not Japanese.
I know it seems like he is. He speaks Japanese, looks Japanese, has a Japanese corporate mogul father and a Japanese sister and most of all he has a Japanese salary-man as his best friend. But on tv, he's not Japanese.
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This has nothing to do with how I view the character personally and everything to do with how I think he's coded and what that coding might do to shift perceptions of him in an audience that's not filled with minorities.
As stated in:
Which makes me believe that Hiro, despite the cultural nods to his past and his childhood and his country of origin isn't seen as a person of color by the writers, advertisers or a goodly population of the viewers.
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(PS While you may be right on the asexual thing, we'll have to see, I don't really think it's possible to say the same of Ando, who may be unsuccessful with women but who is definitely sexually interested in them, to an extent that has influenced the plot more than once already ( ... )
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But among white people in Britain we don't have a fannish culture centred on imported Japanese pop culture to the same degree as in the U.S. so I think it might be more likely for a higher percentage of white Americans, potentially both the writers of this show and/or the viewers, to identify with Hiro as a white fanboy fantasy without experiencing him through an Otherness filter.
I haven't watched the programme but I think I understand witchwillow's philosophical point even if I can't know whether it applies in this particular case. :-)
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I see a major issue with making him more Japanese just to be Japanese (and exotic? different?). As the show stands, Hiro is a character with whom viewers can relate despite their own cultural background. So rather than saying 'Hey look at these different, strange Japanese people', Heroes is saying 'Hey, even though this guy speaks Japanese and comes from Japan, he's a normal guy like you.'
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