(sorry i've been so bad about posting, y'alls... ten good things will return again soon... with another two-month-combined entry, unfortunately... spent too much time out boozing with old friends over the holidays, which made me a little less of a culture sponge, as well as a bad blogger. in the meantime...)
5. i'll begin with a plug: my good
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sorry i missed your call the other day.
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as for the call, no sweat... truth be told, i was busy writing THIS for most of the day, hahaha. we'll catch up soon though.
how's proust treatin ya?
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Children of Men reminded me a lot of Lord of the Rings. It was the same story, where our hero had a smuggling mission to put order back in the world. There were the same strange houses and inns, the same narrow escapes and friendly white-haired men. It was also some of the same elemental stuff, where they had fertility and woodland sanctuaries as high virtues, and then they pitted it against industry and chaos.
I didn't read much out of it in the way of politics; I felt like the end of fertility was too distant and implausible a crisis to pertain to my world. Maybe the one thing that struck me was just how easy it was for them to make grey Britain look like the evil future.
I found the war in Children of Men seemed more real and believable than the wars in most war movies. And that's impressive, because most war movies are about wars that actually happened.
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I haven't read Children of Men, so I'm going out on a limb here, but let me just say it would be awesome if P.D. James had the book end with the main character hurling a baby into a volcano.
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I liked Lord of the Rings, mostly because I always fall for the epic soundtracks.
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not entirely sure how i feel about kiefer. i can see what you're saying, but i honestly found that guardian article somewhat pompous and obnoxious (two words i would use to describe 80's neo-expressionism in general, but that's more of a knee jerk reaction). i guess i get a little scared off by the grand-theme-y ness of his work (life! death!, etc.), and i always hate it when art critics make goofy abstract statements like that bit about "feminine swirls" and courbet's origins of the world... i can just picture that dude hitting on one of his students. at the same time, there's a physicality to kiefer (as someone seperate from people writing about him) that's refreshing in relation to our current landscape of paintings that look like drum-'n-bass album covers (which i say with my uptight fucking exacto blade in hand... i'm guilty of this as well). plus there's the ( ... )
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with you on opposition to the government being at a point where it's no longer a matter of complexity, but i think unfortunately, the solutions to bush and co. are as infinitely fine-tuned as ever (i.e. i haven't come across an exit strategy for iraq yet that seems to have much of a fighting chance of not ending in immense human suffering, though i'm sure there are plenty better than belligerently throwing in more forces). i think what i like about children of men is that it seemed to use my inevitable knee-jerk reactions, rather than sit back and lecture me about them.
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i thought i read something (possibly in the butler lj community, further proof that i am a true blue dorkus malorkus) about butler living with a female partner, but i might have heard it through the grapevine. i'm not sure i personally believe in people being asexual, to be honest (though i guess i can't speak for all of humanity there). hahaha...
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