Jul 26, 2016 19:07
middle east,
religion,
rachel weisz,
1920s,
arnold vasloo,
movies,
oded fehr,
kevin j. o'connor,
travel,
british empire,
jonathan hyde,
stephen sommers,
corey johnson,
patricia velásquez,
omid djalili,
tuc watkins,
history,
brendan fraser,
john hannah,
mythology,
ancient egypt
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I enjoyed the film also, with some different observations: First, what might be called the “Marian Paru syndrome,” from The Music Man, where Marian the Librarian, whom we first see wearing glasses, gaily (and literally) tosses them away and never wears them again. Dr. Evelyn Carnahan does the very same thing. If she doesn't need them, why was she wearing them? *
Meanwhile, it was obvious that Kevin O’Connor and Rachel Weisz were actually friends; their interplay was hilarious. (The scene where she says very primly, “Little boys something-or-other, always come to bad ends,” and he, the supposed villain / bad guy / menacing figure, looks at her in genuine dismay, “Do they?” “Always,” and he's visibly distraught - that was marvelous ( ... )
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http://thegreatwar.livejournal.com/62900.html
Observe the German chaplain at 00:30, who starts singing.
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