So... I'm trying a new way of jewellery making (inspired by
Annemarie Ridderhoff on YouTube), by making acrylic pours (aka fluid art) onto transparency sheet (because I couldn't acquire any Yupo paper, and I already had the transparency sheet -- overhead transparency sheet, thin transparent plastic sheets in A4 size) and cutting out the pretty bits
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Also, I don't know if it would work with what you are describing with the transparency sheet, but I've made fridge magnets before out of clear glass cabochons with paper on glued onto the back and then a magnet. Sort of sounds similar? I, like you, didn't have any punches that fit with the size of cabochons, so I cut out rough squares, glued them onto the cabochons and then once they had dried, cut around them with an exacto knife. The glass was good enough to act as the solid guide to cut against, and as long as I went slowly enough, it made a nice neat cut. I then went over them again to seal off any edges (not that they really needed it) before sticking on the magnet back. It is a lot more fiddly than diecuts, but it was ( ... )
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Hmmm, gluing it onto the cabochon first? Not something I thought of! Thanks.
Though I decided, after much toing and froing, to bite the bullet and buy a manual die-cut machine, a Sizzix Big Shot (since that seems to be one of the most reliable ones). Still an investment, but not as expensive as an electronic one, and you get the advantage of being able to emboss as well as cut! Not that I would be putting embossed things under a cabochon, but it could be useful for other things like decorating cuff bracelets. So, two for the price of one. Because I don't want to end up injuring myself with sub-standard punches!
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I haven't heard of Annemarie Ridderhoff before - now I'm mesmerized!
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