I'm seeing lots of posts, and essays, and articles about the boundary between being an amateur and being a professional writer. The not-an-urban-legend complaint among many unpublished wannabes is that they are being held back by the Cabal Of Pro Writers/Agents/Editors what have you. The truth is a lot simpler: if you're good at it, and keep
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I mean, I've had a lot of people approach me about passing along their novels and screenplays and whatnot to my agent, or manager, or editor. And in MOST of the cases, they see the act of their having written as sufficient reason for me to do it.
I'm not a gatekeeper - but if I didn't make a distinction between 'writers' and 'good writers', and passed along EVERYTHING I was asked to, it would tick off my editor/agent/manager, and diminish their view of my own judgment.
On the other hand, I had a friend who had written a handful of stories, and started a novel, who had approached an agent. He asked me about her at a book festival, and I told him with no hesitation, that he should represent her, and that she was already a formidable talent. And he did, and he ended up getting her a great deal with a stellar publisher.
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The way I intended the Harlan anecdote is regarding professional vs. amateur. If you write, you're a writer; if you write diligently, you're a diligent writer; if you write well, you're a good writer. I agree on all of those. But I'd say if a professional writer says you're a professional writer, then you are - published or not. That's the distinction I was making - not 'writer' alone.
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I'd make a distinction between deciding whether or not someone is going to get my respect, based on their professionalism, and deciding whether or not they're a writer. Is that a distinction you'd make?
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I have a good friend who is a very professional lousy writer. I respect him. I support him as much as I can. But there are limitations he's never going to get past - as a writer, not as a professional. Does that make sense?
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