Some of my friends said that COMMUNITY's Season 4 premiere felt wrong to them. Or at least different. Some of my friends disliked it for feeling wrong, some didn't mind it but did feel the show had changed. I'd be interested in knowing: what did you guys find *different* about the Season 4 premiere compared to the styles of previous episodes?
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Also, the Dean's schtick was better was it was subtle, alluded-to. Now they're just sort of screaming at us, "LOOK AT HOW HOMOSEXUAL THIS GUY IS BECAUSE UNICORNS AND SEXY DANCING AND POINTLESS CROSS-DRESSING ISN'T THAT WACKY AND HILARIOUS". He's gone from being a realistic character to an offensive stereotype and it's sad.
There didn't seem to be any motivation for New Jeff and everyone else seemed like pieces in a board game who were just placed further along in the story to keep up with the story (which was... needing to get in to that class?).
Harmon may have been crazy but it produced a quality product. The network effort to make the show more appealing to a wider audience is hurting it.
Anyway... sorry for the rant. I agree, though. Wasn't feeling Community last night, but I'll keep watching.
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I feel like Community's "thing" is to play off well-established tropes and make homages to television and movie classics. The classics referenced may be obscure, but they've stood the test of time in some way or another. The Hunger Games is so recent it felt more like the writers were dumbing down the pop culture ( ... )
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Completely. I think the error here was that instead of choosing an A-plot and a B-plot, the episode had an A-thread split in two through Jeff's competition and Abed's dream world, a B-thread in Shirley and Annie pulling pranks and a C-thread in Britta. That's four separate plots with two separate parodies within a 21-minute show and far too much to do any of the material justice. It's like the product of writers trying to assure their audience that they will script all the characters well by giving them all their own plots, fearing the criticism that any marginalized character will be marked as the one the new writers just don't get.
Which makes recasting Pierce even funnier to me...
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Dan Harmon's eight points of storytelling was the subject of a WIRED article here: http://www.wired.com/magazine/2011/09/mf_harmon/
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I feel like those are broad enough that they could be interpreted to fit almost any story, which I guess is pretty much the point. Maybe not the 'return' to a familiar situation, but certainly reaching another (maybe new, maybe different) comfortable situation.
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We've lost one guy. Let's not have a fit, okay?
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I think the imaginary sitcom could've been used well. I liked how it was used to comment on fans' fears of the show's tone changing and the stagnation that occurs in long-running sitcoms. Maybe if the sitcom device was used for the entire episode and at the end everyone realized they were acting like static, cartoonish versions of themselves because they were afraid of the change that would inevitably accompany their senior year? idk.
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I do wonder, however, if maybe the whole competition for red balls could've been cut and the sitcom scenes could have been expanded in their place, and with the arc you suggest.
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