Whilst I’m not as big of a consumer of various media these days as I have been in the past, I have noticed there being a trend in the sorts of stories I enjoy. I’m not sure exactly when it started or why, but diversity is a part of the equation. Is it because when there’s a diverse cast, I feel like the writer(s) have paid more attention to
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No, they haven't been doing a very good job in certain areas, but isn't it still better than having a solely white cast? (I also deliberately chose not to mention The Big Bang Theory because I think their stereotypes are worse than Glee's)
I'm not really sure I understand what you mean by the misogyny, though. Maybe I haven't noticed it? Or maybe whatever is in there seems to represent my understanding of high school? I mean, America has gotten horribly misogynistic. I don't think Glee is as bad as the things I hear about on the news, so maybe that's where my thinking comes in. *shrug ( ... )
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I can't speak for The Secret Life of Us, but in relation to Buffy and Willow, I would argue that to some extent, the writers did acknowledge her relationship with Oz. When he comes back towards the end of S4 and finds out that there may be something more between Willow and Tara, he and Willow actually talk about it and talk about what they meant to each other, which I felt was an appropriate way to leave things with them. Could they have done more? Yeah, sure. But at the same time, it's hard to bring up a character that has left the show, into later storylines, especially if they never actually appear in those episodes. So maybe it wasn't that they wanted to erase her straight history, but rather that they felt they could only work with what they had and what characters still remained ( ... )
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I read about the uproar over Rue's casting, and frankly I thought it was disgusting that people reacted that way. I've not read the book but I did watch the film. I do understand that it can be easy to read over those details (I doubt people reading about my African American's limited scenes will remember he is one since I think I only refer to it once). But does that mean we should exclude it entirely? I don't think so.
I think in some respect, the same can ( ... )
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Fun tidbit: I only found this out recently, but in the comic book Season Eight of Buffy, Buffy herself as a fling/semi-relationship with another slayer, but doesn't identify as being a lesbian as a result.
But does that mean we should exclude it entirely?No, of course not and I wasn't suggesting that. But I do think with books, the author needs to ( ... )
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I haven't read season eight so I can't pass any judgement on that. However, times have changed a bit, and different writers could have different opinions about these things. Also, it doesn't sound like exactly the same scenario that Willow went through. I'd be more curious if Buffy's experience had her still identifying as straight, or bisexual.
so if a character’s race or sexuality *is* a big deal to the author and they feel it’s pertinent to the story or the development of the character, then they need to emphasise that in their writing.
I'm relatively sure I've done that with the characters it is important for.
so maybe you just haven't come across a lot of it?Yeah, ( ... )
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I will go on record, however, saying that her use once of "I'm gay" to shoot down even the possibility of a
repeat of her season-three Xander infidelity still makes my skin skin crawl. We still have a long way to go.
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Lisa replied to my comment above and said it was as much a reply to you about the Willow stuff, in case you want to read that.
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