thanks for posting this, graham. there's a device that is sold at places like Spencer's that actually is kind of similar to the way this interface works. it's essentially a toy/party game, but it works on the idea of placing tactile shapes on a surface that lights up and reacts by triggering loops, effects, and so on. each shape does something different and where you put it on the board causes a different reaction. you can actually record INTO the thing too, and use one of the shapes to trigger a loop of that recording. it's really primitive and probably not useful for anything serious, but just playing with it for 20 min got me thinking of possibilities
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I agree with you; performing with a computer can remove the burden of some tasks (note selection) and offer other forms of articulation and expression (effects processing, more global changes to the arrangement). However, I think process automation can create a vacuum, of connection and of risk
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In my world, everybody who has something interesting to say must find the best way to say it so that it may be understood. Either that, or it will not be heard.
As I believe, it is a matter of interest. A person who is not interested in writing will not find the time or energy to indulge in it.
But this is not a problem with you, who are an excellent writer.
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So you can build your own tabletop music applications.
http://mtg.upf.edu/reactable/?software
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(Yes, I am jealous of people like you who can do everything!!)
Grins. You are wise beyond your few years!
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As I believe, it is a matter of interest. A person who is not interested in writing will not find the time or energy to indulge in it.
But this is not a problem with you, who are an excellent writer.
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