Last weekend, I went and got a couple of Mead composition books--you know, the kind with the black marbled covers. I haven't used them in a while, but I like them because they're sturdy, and yet just cheap enough that I don't feel bad about writing in them and messing them up. So, properly armed with these, I have been going back through my stacks
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Also, (the kind of person I am: "Hey, I think Van Helsing name-drops Charcot in Dracula!") -- omigod me too, the point where I thought that just before I read it.
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BTW, if you want to see the period from the eyes of a novel, check out Zola's "Ladies' Paradise." It's a fairly good look inside what we'd call a mall.
And a key word for your research purposes: flaneur. It's a person who wanders around a city, engaging the city in all ways (shopping, mass culture, etc.). Almost all of the books above intersect with discussions of the life of the flaneur. (Schwartz is alllll about it.) So if you use "flaneur" in Google and Amazon searches, you're going to pick up similar books.
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Second, as someone who absolutely loves history AND politics, I already love Black Ribbon just for the amount of love and thought that's going into it. Please keep mentioning your research books as you find them, it's really interesting!
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Of course, Tuchman also refers to the importance of "Bryan" before deigning to mention two pages later that she means William Jennings Bryan, and I'm sitting there pretty sure I know who she's talking about, and I was right, but there was no need to sit there and wonder for two pages when she could have just used his full name the first time. Historians sometimes forget that we don't have as much information at our fingertips as they do, which is WHY WE'RE READING THE BOOK.
Oddly, I seem to be okay with the overlapping social/political movements. I may be better with big picture ideas and get lost in details.
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Also, I just noticed my English is really stiff and weird so... sorry about that. Picking up a second language from academic texts makes you talk funny.
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