Two things I’ve recently overheard got me thinking about sharing of information and research. They’re not really related other than they’re about info sharing in the SCA, but they both rubbed me the wrong way. They’re also hearsay, so maybe (hopefully) I’m wrong about the facts. I’m willing to be corrected.
I heard tell at Pennsic about a woman
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I did see this (Tuesday of War Week, I think?). It was something called the magic veil technique, I believe. I didn't see money being charged or much else other than two people sewing, one of whom was clearly the instructor.
By oval hoop, do you mean French Bell? I might know a couple of people that have that style if you want to check out the seams....
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From the post, I thought maybe she was teaching people a technique to get the children to stop screaming :P
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A friend of mine in Gardners has made a oval hoop marquee tent and it's fabulous. She is sharing her information and help (and hopefully machine) with me and I'm hoping for a new tent by 2011, if not 2012. She's always been open about seeing the inside of her tent. I don't know how much she has actually written down that she could share, but she'll usually sit and chat with anyone.
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I've been talking to her about her tents. :-) It's funny - she'd posted years ago on a list about it, and I'd always had it in the back of my mind. I didn't know it was her, though. She and I hung out a bit and chatted a bit at Pennsic, and when I went looking for the old list post afterwards, I was surprise to find out it was her. And of course I'm kicking myself for not going over and seeing her tent.
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...and I'm a sucker for geeking about tablet weaving...
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I did hesitate in writing this, precisely because of the points you bring up. I do agree - we do hold the work that people do cheap. Cheaper than it should be. And I'm fine with the people who don't want to teach for whatever reason - that's great. Don't teach.
And if somebody is going to publish a book or try to sell something, I completely understand why they want to keep their information proprietary. I don't even mind if people in the SCA want to keep their research close to themselves until they're ready to write the article, put up the web page, teach the class, or debut their fabulous new doo-dad. I think that's entirely appropriate. I just can't imagine why somebody would want to create something, use it, have it out and about where people can kind of see it and are probably going to try to duplicate it anyway, but not be willing to talk about it.
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Those fall into the knowledge=power crowd in my book. It could also be a form of conspicuous consumption: look what I can do and you can't. Nyah! Nyah! Boo! Boo!. In that case, Epic Fail on getting the point.....
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I won't go so far to say research doesn't cost money--even for pure literary research there are fees involved. For "artifact" research, you typically invest money in tools and materials that will get consumed during experimentation. Often, failed experiments are disposed of, so there is no tangible (or saleable) evidence that something was produced. So the cost appears illusory.
So yes. We hold research and knowledge much cheaper than it deserves to be in part because it is much harder for people to see or relate to the costs.
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