Passages from Fleming.

Jan 08, 2008 23:36


These are all of my favorite passages from Ian Fleming's Bond novels, here for my, and your, convenience. Yay!

(NOTE: Not all of my favorite passages are up yet, not as long as this note is here. I still haven't finished all of the books, and I didn't earmark my favorite bits of some of the books I did finish.)

Casino Royale:

Bond had always been a gambler. He loved the dry riffle of the cards and the constant unemphatic drama of the quiet figures round the green tables. He liked the solid, studied comfort of card-rooms and casinos, the well-padded arms of the chairs, the glass of champagne or whisky at the elbow, the quiet unhurried attention of good servants. He was amused by the impartiality of the roulette ball and of the playing-cards - and their eternal bias. He liked being an actor and a spectator and from his chair to take part in other men's dramas and decisions, until it came to his own turn to say that vital 'yes' or 'no', generally on a fifty-fifty chance.

Above all, he liked it that everything was one's own fault. There was only oneself to praise or blame. Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt. But it had to be understood and recognized for what it was and not confused with a faulty appreciation of the odds, for, at gambling, the deadly sin is to mistake bad play for bad luck. And luck in all its moods had to be loved and not feared. Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued. But he was honest enough to admit that he had never yet been made to suffer by cards or by women. One day, and he accepted the fact, he would be brought to his knees by love or by luck. When that happened he knew that he too would be branded with the deadly question-mark he recognized so often in others, the promise to pay before you have lost: the acceptance of fallibility. (p. 48-49)

--

'When I was being beaten up,' he said, 'I suddenly liked the idea of being alive. Before Le Chiffre began, he used a phrase which stuck in my mind..."playing Red Indians". He said that's what I had been doing. Well, I suddenly thought he might be right.

'You see,' he said, still looking down at his bandages, 'when one's young, it seems very easy to distinguish between right and wrong, but as one gets older it becomes more difficult. At school it's easy to pick out one's own villains and heroes and one grows up wanting to be a hero and kill the villains.'

He looked obstinately at Mathis.

'Well, in the last few years I've killed two villains. The first was in New York - a Japanese cipher expert cracking our codes on the thirty-sixth floor of the RCA building in the Rockefeller centre, where the Japs had their consulate. I took a room on the fortieth floor of the next-door skyscraper and I could look across the street into his room and see him working. Then I got a colleague from our organization in New York and a couple of Remington thirty-thirty's with telescopic sights and silencers. We smuggled them up to my room and sat for days waiting for our chance. He shot at the man a second before me. His job was only to blast a hole through the windows so that I could shoot the Jap through it. They had tough windows at the Rockefeller centre to keep the noise out. It worked very well. As I expected, his bullet got deflected by the glass and went God knows where. But I shot immediately after him, through the hole he had made. I got the Jap in the mouth as he turned to gape at the broken window.'

Bond smoked for a minute.

'It was a pretty sound job. Nice and clean too. Three hundred yards away. No personal contact. The next time in Stockholm wasn't so pretty. I had to kill a Norwegian who was doubling against us for the Germans. He'd managed to get two of our men captured - probably bumped off for all I know. For various reasons it had to be an absolutely silent job. I chose the bedroom of his flat and a knife. And, well, he just didn't die very quickly.

'For those two jobs I was awarded a Double O number in the Service. Felt pretty clever and got a reputation for being good and tough. A Double O number in our Service means you've had to kill a chap in cold blood in the course of some job.

'Now,' he looked up again at Mathis, 'that's all very fine. The hero kills two villains, but when the hero Le Chiffre starts to kill the villain Bond and the villain Bond knows he isn't a villain at all, you see the other side of the medal. The villains and heroes get all mixed up.

'Of course,' he added, as Mathis started to expostulate, 'patriotism comes along and makes it seem fairly all right, but this country-right-or-wrong business is getting a little out-of-date. Today we are fighting Communism. Okay. If I'd been alive fifty years ago, the brand of Conservatism we have today would have been damn near called Communism and we should have been told to go and fight that. History is moving pretty quickly these days and the heroes and villains keep on changing parts.' (p. 157-160)

Moonraker:

Bond sat down on one of the seats opposite the island in the lake and took out his cigarette-case and lit a cigarette. He looked at his watch. Five minutes to six. He reminded himself that she was the sort of girl who would be punctual. He had reserved the corner table for dinner. And then? But first there would be the long luxurious planning. What would she like? Where would she like to go? Where had she ever been? Germany, of course. France? Miss out Paris. They could do that on their way back. Get as far as they could the first night, away from the Pas de Calais. There was that farmhouse with the wonderful food between Montreuil and Etaples. Then the fast sweep down to the Loire. The little places near the river for a few days. Not the chateau towns. Places like Beaugency, for instance. Then slowly south, always keeping to the western roads, avoiding the five-star life. Slowly exploring. Bond pulled himself up. Exploring what? Each other? Was he getting serious about this girl?

'James.'

It was a clear, high, rather nervous voice. Not the voice he had expected.

He looked up. She was standing a few feet away from him. He noticed that she was wearing a black beret at a rakish angle and that she looked exciting and mysterious like someone you see driving abroad, alone in an open car, someone unattainable and more desirable than anyone you have ever known. Someone who is on her way to make love to somebody else. Someone who is not for you.

He got up and they took each other's hands.

It was she who released herself. She didn't sit down.

'I wish you were going to be there tomorrow, James.' Her eyes were soft as she looked at him. Soft, but, he thought, somehow evasive.

He smiled. 'Tomorrow morning or tomorrow night?'

'Don't be ridiculous,' she laughed, blushing. 'I meant at the Palace.'

'What are you going to do afterwards?' asked Bond.

She looked at him carefully. What did the look remind him of? The Morphy look? The look he had given Drax on that last hand of Blades? No. Not quite. There was something else there. Tenderness? Regret?

She looked over his shoulder.

Bond turned round. A hundred yards away there was the tall figure of a young man with fair hair trimmed short. His back was towards them and he was idling along, killing time.

Bond turned back and Gala's eyes met his squarely.

'I'm going to marry that man,' she said quietly. 'Tomorrow afternoon.' And then, as if no other explanation was needed, 'His name's Detective-Inspector Vivian.'

'Oh,' said Bond. He smiled stiffly. 'I see.'

There was a moment of silence during which their eyes slid away from each other.

And yet why should he have expected anything else? A kiss. The contact of two frightened bodies clinging together in the midst of danger. There had been nothing more. And there had been the engagement ring to tell him. Why had he automatically assumed that it had only been worn to keep Drax at bay? Why had he imagined that she shared his desires, his plans?

And now what? wondered Bond. He shrugged his shoulders to shift the pain of failure--the pain of failure that is so much greater than the pleasure of success. The exit line. He must get out of these two young lives and take his cold heart elsewhere. There must be no regrets. No false sentiment. He must play the role which she expected of him. The tough man of the world. The Secret Agent. The man who was only a silhouette.

She was looking at him rather nervously, waiting to be relieved of the stranger who had tried to get his foot in the door of her heart.

Bond smiled warmly at her. 'I'm jealous,' he said. 'I had other plans for you tomorrow night.'

She smiled back at him, grateful that the silence had been broken. 'What were they?' she asked.

'I was going to take you off to a farmhouse in France,' he said. 'And after a wonderful dinner I was going to see if it's true what they say about the scream of a rose.'

She laughed. 'I'm sorry I can't oblige. But there are plenty of others waiting to be picked.'

'Yes, I suppose so,' said Bond. 'Well, goodbye, Gala.' He held out his hand.

'Goodbye, James.'

He touched her for the last time and then they turned away from each other and walked off into their different lives. (p.244-247. Favorite passage ever.)

Doctor No:

It had been a bad break coming across this girl. In combat, like it or not, a girl is your extra heart. The enemy has two targets against your one. (p. 99)

Goldfinger:

'I'm afraid not, Mr. Bond. It isn't quite as easy as that. The population of the world is increasing at the rate of five thousand four hundred every hour of the day. A small percentage of those people become gold hoarders, people who are frightened of currencies, who like to bury some sovereigns in the garden or under the bed. Another percentage needs gold fillings for their teeth. Others need gold-rimmed spectacles, jewellery, engagement rings. All these new people will be taking tons of gold off the market every year. New industries need gold wire, gold plating, amalgams of gold. Gold has extraordinary properties which are being put to new uses every day. It is brilliant, malleable, ductile, almost unalterable and more dense than any of the common metals except platinum. There's no end to its uses. But it has two defects. It hsn't hard enough. It wears out quickly, leaves itself on the linings of our pockets and in the sweat of our skins. Every year, the world's stock is invisibly reduced by friction. I said that gold has two defects.' Colonel Smithers looked sad. 'The other and by far the major defect is that it is the talisman of fear. Fear, Mr Bond, takes gold out of circulation and hoards it against the evil day. In a period of history when every tomorrow may be the evil day, it is fair enough to say that a fat proportion of the gold that is dug out of one corner of the earth is at once buried again in another corner. (p. 57)

--

Bond motored comfortably along the Loire in the early summer sunshine. This was one of his favourite corners of the world. In May, with the fruit trees burning white and the soft wide river still big with the winter rains, the valley was green and young and dressed for love. He was thinking this when, before Chateauneuf, there was a shrill scream from twin Bosch horns and the little Triumph tore past. The hood was down. There was the blur of a pretty face hidden by white motoring goggles with dark blue lenses. Although Bond only saw the edge of a profile - a slash of red mouth and the fluttering edge of black hair under a pink handkerchief with white spots, he knew she was pretty from the way she held her head. There was the authority of someone who is used to being admired, combined with the self-consciousness of a girl driving alone and passing a man in a smart car.

Bond thought: That would happen today! The Loire is dressed for just that - chasing that girl until you run her to ground at lunch-time, the contact at the empty restaurant by the river, out in the garden under the vine trellis. The friture and ice-could Vouvray, the cautious sniffing at each other and then the two cars motoring on in convoy until that evening, well down to the South, there would be the place they had agreed on at lunch - olive trees, crickets singing in the indigo dusk, the discovery that they liked each other and that their destinations could wait. Then, the next day ('No, not tonight. I don't know you well enough, and besides I'm tired.') they would leave her car in the hotel garage and go off in his at a tangent, slowly, knowing there was no hurry for anything, driving to the west, away from the big roads. What was that place he had always wanted to go to, simply because of the name? Yes, Entre Deux Seins, a village near Les Baux. Perhaps there wasn't even an inn there. Well, then they would go to Les Baux itself, at the Bouches du Rhone on the edge of Camargue. There they would take adjoining rooms (not a double room, it would be too early for that) in the fabulous Baumaniere, the only hotel-restaurant in France with Michelin's supreme accolade. They would eat the gratin de langouste and, perhaps, because it was traditional on such a night, drink champagne. And then...

Bond smiled at his story and at the dots that ended it. Not today. Today you're working. Today is for Goldfinger, not for love. Today the only scent you may smell is Goldfinger's expensive after-shave lotion, not...what would she use? English girls made mistakes about scent. He hoped it would be something slight and clean. Balmain's Vent Vert perhaps, or Caron's Muguet. Bond turned up his receiver for reassurance, then hushed it and motored on, relaxed, playing with his thoughts of the girl, filling in the details. Of course he might meet up with her again. They seemed to be keeping pretty close company. She might have spent the night in Orleans. Where? What a waste. But wait a minute! Suddenly Bond woke up from his daydreaming. The open hood reminded him. He'd seen that Triumph before. It had been at Ferryfield, must have taken the flight after Goldfinger. It was true he hadn't seen the girl or noted the registration number, but surely it was the same. If so, for her to be still on Goldfinger's tail after three hundred miles was more than a coincidence. And she had been driving with dimmed lights the night before! Here, what's going on? (p 140-141)

--

Bond closed his eyes. The sickly zoo-smell of Oddjob enveloped him. Big, rasping fingers set to work on him carefully, delicately. A pressure here, combined with a pressure there, a sudden squeeze, a pause, and then a quick, sharp blow. Always the hard hands were surgically accurate. Bond ground his teeth until he thought they would break. The sweat of his pain began to form pools in the sockets of his closed eyes. The shrill whine of the saw was getting louder. It reminded Bond of the sawdust-scented sounds of long ago summer evenings at home in England. Home? This was his home, this cocoon of danger he had chosen to live in. And here he would be buried 'in some corner of a foreign blast furnace that is for ever two thousand degrees Centigrade'. God rest ye merry gentlemen of the Secret Service! What should he give himself as an epitaph? What should be his 'famous last words'? That you have no choice about your birth, but you can choose the way you die? Yes, it would look well on a tombstone - not Savoir vivre but Savoir mourir. (p. 174)

--

The wings of a dove, the heavenly choir, Hark the Herald Angels Sing - what else ought he to remember about Paradise? It was all so exactly like what he had been told in the nursery - this sensation of flying, the darkness, the drone of a million harps. He really must try and remember the dope about the place. Let's see now, one got to the Pearly Gates...

A deep fatherly voice said, almost in his ear, 'This is your captain speaking.' (Well, well. Who was this, Saint Peter?) 'We are coming in to land now. Will you please fasten your seat belts and extinguish your cigarettes. Thank you.'

There must be a whole lot of them, going up together. Would Tilly be on the same trip? Bond squirmed with embarrassment. How would he introduce her to the others, to Vesper for instance? And when it came to the point, which would he like the best? But perhaps it would be a big place with countries and towns. There was probably no more reason why he should run into one of his former girl friends here than there had been on earth. But still there were a lot of people he'd better avoid until he got settled in and found out the form. Perhaps, with so much love about, these things wouldn't matter. Perhaps one just loved all the girls one met. Hm. Tricky business!

With these unworthy thoughts in his mind, Bond relapsed into unconsciousness.

The next thing he knew was a gentle sensation of swaying. He opened his eyes. The sun blinded them. He closed them again. A voice above and behind his head said, 'Watch it, bud. That ramp's steeper than it looks.' Almost immediately there was a heavy jolt. A surly voice in front said, 'Cheesus, you're telling me. Why in hell can't they put down rubber.'

Bond thought angrily, that's a fine way to talk up here. Just because I'm new and they think no one's listening.

There was the bang of a swing door. Something hit Bond sharply on a protruding elbow. He shouted 'Hey!' and tried to reach his elbow and rub it, but his hands wouldn't move.

'Whaddya know. Hey, Sam, better call the doc. This one's come round.'

'Sure! Here, put him alongside the other.' Bond felt himself being lowered. It was cooler now. He opened his eyes. A big round Brooklyn face was bent over his. The eyes met his and smiled. The metal supports of the stretcher touched the ground. The man said, 'How ya feelin', mister?'

'Where am I?' Now there was panic in Bond's voice. He tried to rise but couldn't. He felt the sweat break out on his body. God! Was this still part of the old life? At the thought of it, a wave of grief poured through his body. Tears burned his eyes and trickled down his cheeks.

'Hey, hey! Take it easy, mister. You're okay. This is Idlewild, New York. You're in America now. No more troubles, see.' The man straightened up. He thought Bond was a refugee from somewhere. 'Sam, get movin'. This guy's in shock.' (p 176-177, will probably type more until the gap on page 179)

"The Living Daylights":

James Bond had always found Berlin a glum, inimical city dry varnished on the Western side with a brittle veneer of gimcrack polish, rather like the chromium trim on American motor-cars. He walked to the Kurfurstendamm, sat in the Cafe Marquardt, drank an espresso and moodily watched the obedient queues of pedestrians waiting for the 'Go' sign on the traffic lights while the shiny stream of cars went through their dangerous quadrille at the busy intersection. It was cold outside and the sharp wind from the Russian steppes whipped at the girl's skirts and at the waterproofs of the impatient hurrying men each with the inevitable briefcase tucked under his arm. The infra-red wall heaters in the cafe glared redly down and gave a spurious glow to the faces of the cafe-squatters consuming their traditional 'one cup of coffee and ten glasses of water', reading the free newspapers and periodicals in their wooden racks or earnestly bent over business documents. Bond, closing his mind to the evening, debated with himself about ways to spend the afternoon. It finally came down to a choice between a visit to that respectable-looking brownstone house in the Clausewitzstrasse, known to all concierges and taxi-drivers, or a trip to the Wannsee and a strenuous walk in the Grunewald. Virtue triumphed. Bond paid for his coffee, went out into the cold and took a taxi to the Zoo station. (p. 93-94)

canon

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