Robson, Justina: Mappa Mundi
Mappa Mundi
Writer: Justina Robson
Genre: Science Fiction
Pages: 521
I wasn’t too impressed with the last book I read of Robson, but despite my response toward the book, I recognized a fine writing talent at work. Mappa Mundi certainly sounded like a very different story, so I decided to give Robson another chance.
I’m so glad I did.
First off, I’m still enthralled and amused by the cleverness of this book. It took me a hundred pages to understand why, but the book’s divided into four parts: “Legend”, “Compass Rose”, “Map”, and “Update”. “Legend” is, at first glance, very odd: each chapter is focused on a character, and they read like vignettes, or short stories. It’s odd, but I stuck with it because Robson has a marvelous way of capturing the intangible. Childhood, emotion, human reaction. All of this is jam-packed in the very beginning of the story, which kept me reading, even when I didn’t know what was going on.
What I figured out, once I reached “Compass Rose”, is that each part is like an element of a map: “Legend” is the key. It sets up the players of the novel by giving you a kernel of who they were at one point in their lives. It’s very personal, and makes every single one of them human. “Compass Rose”, then, gives us the direction of the story. The inciting incident that brings all the characters together. And of course, “Map” is the story itself. And “Update” is more of a sidenote, an epilogue that lets the reader know what’s come out of all these events. A rather non-traditional part of the book, but still cool. Note the mosquitoes.
I can’t stress how wonderfully the story is done. In the hands of other writers, this would’ve been a mess teeming with coincidence, but here, it just worked. I think part of what sold this for me was the fact I met the characters independent of each other, so once I realized their paths were crossing in more ways than one in the story, I was really excited to see how it would all play out. Better still, Robson does an excellent job with her antagonists. Not a single character in here is flat: every one is well portrayed and has its own level of heartbreak. Robson excels at human dynamics in this book.
It’s also generally incredibly hard for the reader to know what’s going on when their protagonist doesn’t. It’s easy to see the protagonist as stupid for not seeing the “obvious” clues in front of him/her (anyone who’s watched the show Alias knows what I mean), but in this book, it works fabulously. I think it’s because Robson takes great care with her characters and plot, making sure that each character is acting true to himself/herself, so that a real tension is created between people because the reader can’t wait to figure out how this house of cards is going to collapse.
Plot itself? Very well done. I like how things tie together, and while I always zone out a bit on the science aspects of science fiction (I know, that makes me a bad science fiction reader), this works really well. I liked seeing the different levels of how the science worked in the story (some where this is called a medical thriller, and that would fit the bill), and how everything, in the end, played out like it was supposed to.
Overall, this book left me very satisfied, and it’s something I can easily recommend to anyone reading or writing SF. This does just about everything well, and since Robson’s a stylist, the prose is almost always a joy to read. I will warn that she has a wonderful handle on metaphor, but because this is speculative fiction, there are times, especially at the beginning, where one isn’t sure if what’s happening is literal or not. This is definitely not a deal breaker, and this isn’t a problem once you get into the story itself. But it is something to be aware of. :)
I’ll definitely be looking into more of her books.