Recently, and not so recently, I've come across a couple of stories, or had them pointed out to me, within greater fandom, where the history or culture of marginalized groups was employed to make a story more exotic or interesting, with the result the story was offensive
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Comments 89
Maya in Seattle asks will I ever have vampires of different races in my books. What limits me in terms of race is what I know. I can go only so far in my genuine understanding of other races. Fro [sic] example, regarding the Japanese, though I have tremendous respect for the culture and the art, I don't know enough about the Japanese heart and soul to create a Japanese character of depth in my work.
Taken from here.
I really wish I could bring this discussion up in my GRM 491 class about minority groups in Germany, because our current topic is exoticism, but I have a feeling no one wants to hear about slashy fanfic ( okay, one guy might, but the rest ... ), even if it is relevant.
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This is a great list! In thinking about the Cambodia story, I'd expand on your #5 for stories about characters from a dominant culture set in other cultures:
Do the characters from other cultures have their own individual voices in the story? Are they treated as individuals, or as generic/homogeneous representatives of their culture? How would the story read differently if it were told from their point of view? Does the story imply that the assumptions of the POV characters are accurate and should be taken at face value ("what a happy, simple people!") or does it complicate those assumptions and suggest ways that they might reflect cultural biases and blind-spots?
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Ohhhhh the dope-slapping I would like to do.
Ahem. brown_betty, this is very helpful and concise, thank you. I was pointed to this from heyschasm's comments, and I'm glad to see it.
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And I know it wouldn't tell us all that much about Thailand, but I'm tempted by the idea of how Bayliss and Falsone would react if they got sent to Thailand to interview some witnesses and chase a suspect...
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I'm reminded of Mely's comments on the whole issue, as well, which comes down to: there is no gold star. You're never off the hook for being respectful, you should always be questioning whether you're doing right by your readers and your characters.
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Thank you for saying that. I spent the entire year I wrote that story on tenterhooks: my personal working title was "the Cultural Appropriation Casefile of Doom", given that both the content and the writing were, in a sense, appropriative.
So it means a lot to hear that it worked for someone, and didn't seem exoticizing or exploitative.
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