[AUDIO - and this isn't Cooper speaking. It's a strange, stilted voice you don't recognise.]
You are heere an thereis no place to g o ... BUT HOME!!
[After that, have some laughter. Again, not Cooper.]
[ACTION ANYWHERE: A lot of you know Cooper, but none of you know exactly how bizarre his life actually is. If you run into him today - anywhere,
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[he swallows. what is this place?]
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[and, oh, yes, he will. and the sudden disappearance of the statue startles him yet again. where did it go? he has an awful lot of questions, but still no answers]
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[But if he continues through the curtains once more, there's that room again. The same room, but this time with only two chairs.]
[Katrina Van Tassel is in one of them.]
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Katrina-- [he speaks in an almost whisper, his words rushed as though he's afraid someone might be eavesdropping] What are you doing here?
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Icha-bod. [Slowly. Haltingly.] The Horseman eets corn. Whatch out.
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The-- what? The Horseman? [he repeats] Katrina, what are you talking about? [and what's wrong with her voice?]
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[.. but the flashing room is that way. Then again, is going forward a better choice?]
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[And with that, she'll turn and walk behind the chairs. Once she does, she's gone. Suddenly, unexplainably. But even if he wanted to try, he couldn't have stopped her.]
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[oh my what sort of mess has he gotten himself into]
[he glances toward the curtains, unsure what to do. but, assuming that there was -- or is -- actually a reason as to why katrina wanted him to go into that room... he should probably investigate it. it's his job after all, even if he's not very satisfied with it at the moment]
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[But when he does go back, he'll find the same empty corridor. The statue is still gone.]
[Beyond that ... the same empty room.]
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[but... what if he continues further into the labyrinth of curtains and black and white floors? is there a possibility that the curtains in the corner of this room part as well?]
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[Do you see, Ichabod? You're retracing your steps.]
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[what's he even doing here? and is that statue staring at him?]
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[Will you brave the curtains again, detective? These lead to the room with the lights and the blood, don't they?]
[Oh, and that's right ... your hands are bleeding again.]
[Not much, not much at all, but it's there. And maybe you'll notice.]
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[so, with that thought, he parts the curtains yet again, hoping that they will show him something he hasn't seen before]
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