Well, so the ballet was a success yesterday, aside from having to lean, duck and at times sit on my coat to see around and between the heads of two of the tallest men in the audience in my direct line of sight depending on how they slouched, and even though the graceful arm-waving of "Les Sylphides" set to half a dozen Chopin tunes grew dull very
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I do have to say, however, that Nijinsky runs DH a close race for "most beautiful man to dance that piece," and given that Nijinsky choreographed it as well, he might have to get some bonus points for that.
By the way, my LJ is now operational again, in case you ever feel like dropping by.
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The original "Afternoon of a Faun," if it was, in fact, the same piece (and it sounds like it), was set in a forest. The faun was wearing a speckled bodysuit, with horns, and hooves over his hands, and he danced by himself for a while, and then was joined by a nymph. They danced together, and then she ran off and left her scarf behind, and he lay back with the scarf and held it up to his face and then passed it between his legs while lying on his back and arching upwards. It was viewed as pagan due to its pastoral and mythical imagery, though Milton had used the same damn imagery in "Lycidas," and nobody could really accuse HIM of being pagan.
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