It's Saturday night, and as befits a good old Saturday night, the Luna bar is hopping. The bar's near capacity, and it seems anyone and everyone has turned up, whether to just enjoy a drink or three or for more secretive purposes.
Jack Malone is seated at the far end of the bar, his body half-turned toward the crowd. It's force of habit; seated
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Or... she will once she finishes making it to the bar. There are so many non-mundanes here, it's a bit unsettling. Sure, she's used to that in the Conrad or the Gauche, even that damn coffee shop she and Buffy tend to hang out in when Mattie comes in to see his girlfriend. But in a random bar in Chicago, it's... odd.
And almost comforting.
But she's going to just stand here for a moment, towering over a good chunk of the patronage, feeling a little lost and looking a little bemused.
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"Ah, sorry," he murmurs with an apologetic smile. "Didn't mean to almost flatten you there."
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She also smoothly eases her hand away from the knife she's got strapped under the back waistband of her pants. She's not jumpy at all.
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"Glad to hear it," he responds. "Seems like you've got to be made of tougher stuff to make your way around in here. Headed for the bar?"
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Thus, bar.
He'd get drunk with Suzie, but Suzie has enough on her plate and avoiding people he's too close to right now seems like the best bet.
Without considering who his barmates might be, he slides onto the stool about two down from Rachel and waits for the bartender to come by.
Look, Rachel! You totally can see Mr. Sark when he's not stuck in a tree or half-drowned. It's a miracle!
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"Hey, mister. You can have this if I can have your seat, okay? I didn't drink from it." The guy casts a dubious glance down at her; it's met with an entirely deadpan expression in response. "It's not roofied. If I was gonna carry you off and rape you, I'd just sucker-punch you and drag you out of here, okay?"
The guy blinks down at her, and then apparently decides the best way out of this conversation is to just take the drink and move. Rachel hops off her stool, beaming her thanks, and trades seats with him.
"What's a nice boy like you doing in a place like this?" she asks, that deadpan face still firmly in place as she waves to get the bartender's attention.
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And it's probably for the best that he missed that whole exchange that allowed Rachel to switch her seat, as it probably would have made him hit his head against the bar. Really, no one should bribe someone with tequila to get near him. That's just strange.
"Theoretically, drinking," he deadpans right back. "Though I suppose I could ask you the same question."
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The bartender sees her and nods in her direction to let her know, just a minute, I'm coming. She nods back and turns her full attention back to Mr. Sark. It's nice to see him under more normal circumstances--in a bar, as opposed to a tree or the lake--but she decides not to remark upon that, either.
Instead she merely asks, "How are you?"
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Of course, Jack's been keeping his eye on the only other person (or one of them anyway) here who seems to be keeping track of the exits and whether or not a fight is going to break out. He can admire that in a man, given he's also not quite big on relaxing.
He clears his throat in Malone's general direction and notes as casually as if he were commenting on the weather, "The exit directly behind me would be the most likely strike zone. No cameras, plenty of shadow, and just enough civilians to provide cover, but not enough to invite a stampede should the hit go sour."
He takes a sip of his scotch as if he didn't just make that comment. What? Former spy?
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One eyebrow twitches, and a hint of bemusement curves Jack's mouth. "That's true," he allows. He cants his head nearly imperceptibly at the front entrance. "But I got a lot more experience with morons who get it wrong than with efficient hitmen who get it right, so I always pay special attention to the front door. Morons always come in the front, and cause a scene."
And then he goes on drinking his scotch as if the small talk were merely about the weather or the stock market, not about where murder's likely to break out in the place.
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"Local or federal?" Said in the same tone one might say "Business or pleasure?" when asking why someone's hanging around in Chicago. He's not CIA, that much is sure and certain, and he's a bit too practiced for Jack to even consider local, but, for all he knows, cops in Chicago have upped their game. It wouldn't surprise him. That or he's a wanderer and that's even more likely.
This? This is how Bristow conducts his small talk. By making it about something one does not usually expect small talk to be about and pretending like he's not doing it. For all practical purposes, his eyes have barely left his laptop.
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"You too? Or private sector?" The guy's clearly not a cop of any stripe; security of some sort, or a spy, or some sort of "consultant." Observant and knowledgeable enough to peg Jack for what he is.
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He's less than personable as he calls the barkeep over, too. Waiting for his drinks (which, thanks to his attitude are gonna take much longer than they ought to), he glances back at Jack out of the corner of his eye. He already doesn't like him too much.
This is what he gets for coming into a bar with such a heavy wanderer population, though.
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"Dunno," he replies, finishing his scotch and signaling for another. He knows it'll arrive before Francis' order--he's doing that just to rub it in. "Somebody piss in your first-thing-in-the-morning maintenance beer, or you got a specific reason to be such an ass?"
Never let it be said that Jack Malone didn't enjoy calling it like he saw it.
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He tilts his head, looking back at Jack, his words not matching his facial expression at all. "Although, I gotta be saying, your face is definitely going to be putting the sour in my whiskey sour."
Francis. You really fail at being funny.
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Jack's second scotch arrives; he raises it in mock(ing) salute.
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He makes his way to the bar, attempting to navigate through the crowd. Can he really be blamed if he bumps into a few people? All he's trying to do is get a drink, honestly.
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He turns to apologize, and stops short when he sees who it is. "Harvey." He hesitates a moment, not sure what kind of reception he's going to get; it stops him being too familiar, and also too formal.
"You're looking... better than when I last saw you."
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"I, uh. Yeah. Thanks."
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