Alex Drake is disoriented in a way she hasn't been since she woke up in 1981 dressed as a prostitute. Her life's been one mess after another for the last few days, between Gene and Sommers and Chris and everything else that's been happening, but she's been getting better, too, sharper and stronger and clearer, and Molly's been so close she could
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When he reaches Cloud Gate, though... After you've been here long enough, it's not exactly difficult to pick out brand new wanderers, and this one in particular reminds him of something, though he can't quite put his finger on what. A face from another lifetime...
Sam frowns, and starts toward her across the plaza, sidestepping neatly around tourists and excited children along the way. It's been a while since he played welcoming committee...
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"Sam?" she asks, though she knows it's a foolish question. Who else could it be?
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"...Yeah," he says, searching her face with a frown. "Do I know you?" Silly question, maybe, but after Jack, he thinks he's allowed a little uncertainty there. Parallel universes complicate things and when did this get to be an ordinary sort of thought process for him? (The answer to that, of course, is a long time ago - he's mostly resigned himself to it, but every now and then, it's necessary to step back a little and wonder about his life.)
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Also doing some shopping, because hardly anyone does, and Ianto might be a god with the coffee maker, but she swears he can't make a proper cuppa, whatever he might say, so... shopping. It helps that the clouds are pretty thin and the sun's still up and she can get a good recharge out of this - she was starting to feel a bit out of batteries, as it were.
But shopping trip aside, Annie is a good soul, so when she sees the woman by the Cloud Gate looking so obviously confused, she can't just leave her.
"Excuse me," she asks helpfully from a few feet away. "Do you need some assistance?"
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"I..." She doesn't know if she needs assistance, to be quite honest.
On the other hand, she's fairly certain she needs a drink.
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Sheepish Annie is sheepish. "You've fallen through a hole in time and space, so they tell me. And you've wound up here. Different world. No way back that anyone's found. Um, I can take you somewhere if you need a place to stay."
Beat.
She offers her hand with a tentative smile. "I'm Annie."
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Alex takes her hand, shaking it. "Alex Drake," she introduces herself. And although she doesn't have any intention of staying here long enough to need a place to live, that was what she'd told herself in 1981, too, and look what had happened there. "I would appreciate it," she adds. "The place to stay, that is. And maybe a drink, too."
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But she was communing with the kittens she has curled up in a blanket in her bed. And then she was... sort of a cat.
And when she went out to get help, she sort of got too enthusiastic and ended up in the elevator with someone who kindly opened doors for her and...
Well, she's been outside for a while. She can't even get into the hotel, much less the basement. And she can't shift out here, she'd be naked. And... well, when she sees the new person appear in the park (where she was wandering), something in her said that it was the best idea to try to convince her to let her into the hotel.
Here, Alex. Have the LEAST HELPFUL WELCOME WAGON EVER. Rubbing against your legs and mewling.
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"Hello there," she says to the kitten, scooping it up in her arms. The warm, fuzzy presence soothes her, actually, though she hasn't been around cats in ages - not since Molly (Pete's cat, not her daughter) died shortly after she met him. She pets the kitten absent-mindedly.
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But there are more important things here.
Ma'am. Ma'am, I need you to take me to the hotel not far from here. She mewls a little and taps Alex's shoulder insistently with her paw, looking solemn.
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So, to that end, she will bound quite literally underfoot. And then yowl as though she's been slain, because THAT WAS A HEEL. ON HER TAIL.
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She twists up around herself and licks at her deeply, tragically wounded tail for all of five dignified seconds before she spots something invisible over her shoulder and freezes, twisted about with her tongue out.
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"Why are you talking?" she asks. Because it's a good place to start.
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