I'm not posting a new chapter this weekend, but I am posting about the novel, so maybe this will patch the gap a bit.
As I mentioned
in my earlier post, I started writing Spider’s Web with the specific aim of producing something that could be submitted for publication - and would have the best chance I could give it of being accepted. At the time
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Dude, so hard. I hate it with a burning passion. Give me dialogue any freaking day.
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I think it's because I try and write, but real bodies with real people attached to them keep getting in the way, and I want to say "Oh, excuse me, Mr. Anderson! You did not just hear me say that about you!"
Somehow when I read the pr0n, it's the characters that are gettin' busy, not the real people ( ... )
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I do better in that area: the characters in my head are played by the same actors, but they're fully capable of wild happy enthusiastic sex lives (although without greased weasels), as long as they're having in-character sex. I'm even willing to enjoy a rosily optimistic view of the quality of the sex -- okay, yes, there are plenty of less-than-exquisite sexual experiences, but I'm choosing to write one in which almost everything goes well, and the human awkwardness is leavening instead of deal-breaking.
But I still have a horrible block about writing it. I can't get the words to work. I actually have a fine time with being not quite explicit, but then I get self-conscious about how I should be able to be entirely explicit, and I can't, so I must be Doin It Rong ( ... )
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I should finish reading the rest of Chapter 1 before reading this entry! I'm currently at the Cathedral Moment. :)
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Actually, one of the challenges that slowed me down so much was wrangling the needs of the much larger cast, so that everyone had plenty to do.
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To some extent, the S1 episodes have to get a special dispensation, on the grounds that they were still figuring out what the hell to do with the show!
It's actually a testament to the amazing nature of the series, that we look at a major dropped thread (such as the Reetou) and think it's out of keeping. We're spoiled -- because the writers and producers picked up and maintained so damned many story threads and plot arcs. This isn't Babylon 5, after all, where a single person had a single long story to tell, and was pacing it out on purpose. They built this amazing plane while it was in the air, and the fact that they only have a few doors going out into empty space is a marvel!
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And I've only read one or two of the earliest novels, but I know that in fanfic (specifically the J/D slash variety) of recent years, the setting is nearly always post-Abyss/post-Descension/post-D.C. relocation/post-series. And that makes a lot of sense, since setting the boys up for a HEA in, say, Season 5, means ignoring the fact that they're about to be ripped apart for a year, and then separated by half a continent a couple of years after that.
I wonder what the trend in gen fanfic has been? *muses*
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I wonder if there's a tendency, now that the series is entirely over (snif!!), to want to wrap things up one way or another. The opportunities for Jossing have ended and any writer still writing for this fandom can settle an OTP however they like. Then, too, the early years feel as if it was a long time ago -- not everyone wants to write ancient history, all the way back to 1997!!
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