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alexandral December 10 2007, 14:16:12 UTC
This again shows that life is the same basically now and back then. I think that the soldiers' uniforms are often muted in colour and this plays a big part in overall muted-colourness of our impression of war.

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baleanoptera February 18 2008, 18:05:28 UTC
This again shows that life is the same basically now and back then.

yes, absolutely - and it lately it strikes me as odder and odder that WWII films appear more real if they are muted in colour. But this is true of a lot of historical films. Almost all "realistic" films dealing with the middle ages will have drab, brown colours as their main scheme - and the buildings will be dark, gloomy stone. While the facts are that people in the Middle Ages dressed in colours if they could, and painted their castles and houses in colours as well.

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applegnat December 10 2007, 19:15:10 UTC
Is it a cliche that we perpetuate because we want to believe it, at some level? It helps to put distance between us as well as give us significant cues on how to feel, in the pop-cultural sphere. The blatancy of the work of, say, Spielberg, is just catering to that need in us. Because, surely, the need is created by some psychological need for it, even though it may be sustained by pop-cultural forces for reasons of their own?

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baleanoptera February 18 2008, 18:03:02 UTC
Is it a cliche that we perpetuate because we want to believe it, at some level?

I would say yes (though with room for some exceptions.) I think when it comes to The Second World War in Europe history has started to edge over into myth, and since the land of myth is always a bit vague and covered in fog then the images of it must be as well. Or more precisely - we (aka western Europe and the US) have turned WWII into a story, and like all stories it has acquired certain plot points that must be repeated, or the story will seem false. Just like the story of Snow-white needs a wicked step-mother, then the story of the WWII has its designated heroes, villains and in a way its specific images.

The blatancy of the work of, say, Spielberg, is just catering to that need in us.I think it's a bit more complex than that. He caters yes, but he also reinforces the need for such images. So it isn't so much a chain of events as a circle that spins both ways. Spielberg makes films that are popular, but a reason for his films popularity is that ( ... )

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winterdahlia December 11 2007, 03:35:08 UTC
I love these images, especially the riveter and the mechanic. The red nails, the ribbons, and the curly hair, in the context of the mechanical work, is truly fascinating. And you are right, because we are so accustomed to dreary images of this time period, these almost seem like they are too brilliant to be true. If you hadn't explained them, I may have thought they were still images from a modern movie set or photo shoot.

That blog is a very cool find! :-)

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