In the Carnival's gambling hall, against the back wall, is a large table, organized like a mad tea party, only for gamblers- a craps game, a roulette wheel, various card games, games from different cultures, different worlds, even. Off to the side of the table, a tall woman- seven inches over six feet, to be precise- sits with her legs crossed,
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That last thing in the world he wants is for Peter to get anywhere near her. Risking himself? Fine. Why not. Risking Peter? Hell no.
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She places her tea to the side and holds Neal up to scrutinize him with intense green eyes, clicking her tongue. "As much as I approve of this form, I'm sure you're much more fashionable in your proper shape."
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What's more, she knows that he's not what he looks like. That's either... potentially helpful or very, very bad. He's going to guess the latter until proven wrong.
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She waves a hand and Neal's suddenly enveloped in a wash of reddish light and when it subsides, he's back in his human form- in a suit much like the one he favors so much.
"Much more fashionable," she smirks.
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She's scouting, kind of--taking in every available detail, just filling her mind with something so she doesn't think about strangling Harry and then dropkicking him through a plate glass window.
Oh, and shooting Gabriel again. Just to make herself feel better.
She approaches Kitsune's table with the same careless, fierce inattention, set to walk on by--the woman stands out, definitely. Which is all the more reason not to engage.
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"Hey," she croons, leaning on the table, slightly. "You look like you could blow off a little steam."
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The last person she know who played got fae-fucked in so many senses. Murphy scowls.
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"It's a whole new ballgame, sweetness."
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The sound of a flute being played draws him in, and he stops to listen, head cocked slightly to the side, hands in his pockets. The music is beautiful -- one of the many amazing things created by those who came after him. Despite what popular depictions would have one believe, no angels play the harp, and those that sing only do so in praise of their Father. And this... this is not a song of praise.
The music makes him feel, in ways that are still strange to him, filling him up until he feels as though his chest will burst... And yet his heart still beats, and his lungs still draw in air. There's no reason for this building pressure, but it's there all the same.
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And suddenly, the girl is doing what he's done to so many- standing right there, despite it looking like she never moved. Her eyes are wide with surprise, like she's seeing past his vessel and right into the very heart of his fading Grace.
"Ohhhh," she gasps, clutching her flute to her chest. "My, my, my. It's so dim." She reaches out and hesitantly lays her hand over his heart.
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His gaze drops to the hand on his chest, and then he looks up, meeting those somewhat disconcerting eyes.
"...You know what I am." And really, that answers both the question she asked, and the statement she made.
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"'Course I do," she murmurs. "Without that body holding you all together, the fireflies will shine brighter." She steps back and looks up at him, big eyes flashing with that same childish mischief.
"Would you like me to fix it?"
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He can't help but notice the woman. She's utterly stunning, and though Spike's completely devoted to Buffy in every way, he does have eyes. Still, he doesn't approach, just lurks around the edge of the gambling hall, watching her.
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"Do you know why we're here?" he asks.
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"I don't answer questions for free," she says, her voice now more rough around the edges, slightly Cockney in sound.
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She stops and watches the girl, and gets a little caught up in the music. She doesn't realize that the girl's stopped until the others that had gathered were applauding, and Jo moves to clap her hands as well when she catches sight of the teenager's eyes in the light. For a brief second, they definitely don't look like they did before. They don't even look human.
It probably is just a trick her mind is playing on her, Jo's senses are on high alert now. As she stands there and tries to figure out what she just saw, she bites at the inside of her cheek and stares critically over at the flute player.
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She extends a hand, bursting into cheerful, girlish giggles. "Welcome to my carnival."
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She glances down at the girl's hand and then back up to the girl's face, entirely disturbed by the fit of giggles. Teenagers.
"All this is yours, huh? That's a pretty big accomplishment for someone so young."
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She gets a little closer, claiming Jo's personal space as her own and giving her the most innocent wide-eyed stare, although the effect is lost, considering her eyes are the creepiest things ever.
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