[As a note, this is all happening before
this thread, which only promises to be horrible.]
Soon as it's light enough to see, Peter heads out, wrapped up nice and warm. After rummaging through the smithy a bit, he'd managed to find a good axe - slightly rusty, but still usable - so he heads over to one of the cabins damaged beyond repair (or at
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Comments 43
He can't think of anything to say to make it better. There's really no way that he can. Instead he straightens, clears his throat, and calls out in a voice that makes it sound like he's looking for someone - "Peter?"
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"Yeah, I'm here." Sticking his hands (and the wallet) back into his pockets, he schools his face back to normal as he walks back towards the cabin. "What are you even still doing up at this hour?"
...Says the guy who snuck out at fuck-in-the-morning o'clock in the first place. Bravo, Peter.
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He shrugs. He can feel it's unconvincing. This is Peter. But part of him isn't trying to be convincing, really - part of him is trying to broadcast I heard. Your move.
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The unspoken signal piggybacked onto the actual broadcast isn't so much missed as outright ignored. Peter has no idea what you could possibly be silently not-hinting at, Neal, now how about we all just walk on over back to the cabin and we can sleep and/or pretend to sleep until morning like we normally do, hm?
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"Who's out there?"
The whole point of waiting this late was to avoid people. What is with all the night owls tonight.
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"I'm over here."
His cabin is across the yard, probably about 20 feet away from where Peter is sitting. If he squints, he might be able to make out Reid's thin frame sitting on the front steps.
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"Not exactly answering my question... Unless you'd just prefer I call you Tom." As in peeping. "This a regular thing with you, people watching in the middle of the night?"
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He does his best to ignore this particular cat for a while, but then it's just getting ridiculous. Raising his head to frown at it. "...What are you looking at," he says suspiciously, and totally not expecting a response.
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"A question for you to answer, I should think," is the response. "What are you doing?"
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"What th- shit!" It starts as a yelp but ends with a quiet hiss before he brings his hand to his mouth to suck. There needs to some kind of brand, or sign, or collar, or something to distinguish the regular-sized talking animals from the regular-sized nontalking animals. Wincing as he checks the wound, and quickly assured that it's nothing serious (even though it hurts like a bitch and a half), he glares at the cat. "Right now? I'm wondering why it's so damned hard for this place to stick to anything normal."
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"She misses you." She speaks softly as she approaches him, and reaches out to place a hand on his shoulder. Even if she doesn't know for sure if time moves the same back home as it does here, it feels like the right thing to say to him. He's hurting, and she wants to fix that.
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Getting to his feet, he coughs a few times to cover his startle (as well as the wallet getting pocketed).
"Don't know what you're talking about." Deny, deny, deny - there is no baw here.
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But he can't just brush off what Anna's saying. He recognizes it for exactly what it is, and why she's saying it now, but...
"Memory's not enough sometimes." It's quiet and grudging, and less than what Anna wants him to say, he knows. But it's still more than what he'd say to most anyone else.
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