The ARCHITECTURE just as can be divided PAINTING and the SCULPTURE into Four Languages which are not generated yet definitively as ONE ARCHITECT does not suffice.
That it is better to understand about what speech, it is desirable to read the
FIRST PART of this post and to have before eyes the
PICTURE 360 -
Ludwig Mies van der Rohe (1886 - 1969)
Dr. Edith Farnsworth house 1945-51 (W-1946-50)
Martin Luther King Jr. Memorial Library in Washington, D.C.
Toronto-Dominion Centre in Toronto, Canada.
Crown Hall at the Illinois Institute of Technology, Chicago, Illinois. Designed by Ludwig Mies van der Rohe; completed 1956.
German Pavilion, Barcelona, Spain, by Ludwig Mies van der Rohe, 1929.
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315 -
Frank Owen Gehry (b.1929)
Photo, exterior · Gehry House · Santa Monica, California
Architecture,Frank-Gehry,Riscal,architectur-exterior,Marques-de-Riscal-Hotel
Guggenheim Museum in Bilbao, Spain
The Experience Music Project in Seattle
Disney Concert Hall Los Angeles Philharmonic,
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270 -
Antonio Gaudí (1852- 1926)
Sagrada Familia in Barcelona
Pati de La Pedrera
Gaudi Building
Gaudi Columns
Gaudi in Barcelona
Gaudi-House in Barcelona
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225 -
Otto Wagner (1841 - 1918)
The Kaiser Pavilion was a personal Stadtbahn station for Kaiser Franz Joseph near his summer residence
The imperial style is untypical for Wagner but was a concession to the emperor's taste (However, the pavilion was never used by Kaiser Franz Joseph)
Medallion Building
Apartment Block Linke Wienzeile No. 38. 1899 by Otto Wagner
Otto Wagner, detail of a House in the 6th district of Vienna, Linke Wienzeile 38
Gersthof Stadtbahn Pavilion 1896 by Otto Wagner
Wagner Villa I 1886-88 by Otto Wagner
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180 -
Claude Nicolas Ledoux (1736-1806)
Director's residence as built
The-Barriere-de-La-Villette
Arc-et-Senans
Arc et Senans
Arc et Senans
Saltworks and town of Chaux (Saline royale d'Arc-et-Senans, partly constructed, 1775-79)
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135 -
Andrea Palladio (1508 - 1580)
Villa Almerico-Capra "La Rotonda" in Vicenza
Rotonda Plan
Facade of Palazzo Chiericati in Vicenza.
Villa Foscari "La Malcontenta", 1550-60
Illustration from a 1736 English edition of I Quattro Libri dell'Architettura
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90 -
Ricardo Bofill (b.1939)
BELVEDERE SAINT CHRISTOPHE
1985. Cergy-Pontoise, region of Paris, France.
Antigone
Montpellier Antigone
Chase Center a.k.a. Citadel Center
Montpellier Hotel de Region
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45 -
Here there can be your NAME (b.????)
So the architect which would become Warhol's alter-ego in the history of architecture there was no also - this place is not occupied!
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Just as Andy Warhol used advanced achievements of industrial silk-screen printing for drawing of photos on a canvas, and then named IT painting, in architecture there should be courageous enough and ambitious architect which having put in the machine a set of parametres (function, a lay-out, used materials, the estimate) would be received by the project of an architectural construction which then WOULD be constructed. It is enough to disassemble platforms NormCAD, AUTOCAD, programs of the account of expenses of type the Automanager 1.05 and EXCEL and on their basis to create the PROGRAM-ARCHITECT, to establish on SUPER- COMPUTER and to connect the graph plotter. Further to carry out strict "author's" supervision of an embodiment of the project and ARCHITECT-45 is ready!
This ARCHITECT - becomes end of development of architecture and will place all points over I recognising, that: the modern architecture has turned to industrially-conveyor organisation of space by machine for functioning of machine-peoples, and the ARCHITECT more does not require!
To train young men of to a painting, sculpture and architecture - follows ON ALL LANGUAGES and, in particular, in Academical language, as which I consider as a basis for development of art and the most difficult for studying.
It is necessary to realise - the further search of the fine arts and architecture will be carried out ONLY within the limits of these languages for others simply DO NOT EXIST! There will be a development of all of four, and any languages will probably degrade?
My forecast: rapid development of Spontanism which already now tests only inertial movement, will be slowed down. The creative potential and the initiative will pass entirely in area of Photographism as it has already occurred in architecture though also the development of Academism some, I consider probable: (at least the DESIRED.
Translat is made by the program-translator
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