Peter Morgan (screenwriter for The Queen, Frost/Nixon, TV's The Deal, and others) is aboard for the next Bond movie. He's a good writer, but Colin Boyd's spin on the story may give you pause:
"So why do established veterans in the series need Morgan's help? Oh, that's easy: He writes unbelievably good characters. In the two films already
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*The onscreen "location" titles, appearing in different fonts, and in different ways, was a nice touch in QoS, I ( ... )
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