While I was working the NIWA table at Worldcon, one of the people who came by was a very outspoken, charming fellow who took the time to chat and make jokes with several of us. I wanted to like him. Except for one thing: he was very blunt in his opinion of romance, sweepingly dismissing the entire genre as “swill”.
And as soon as he said that, I
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That said, is sexual consent really a defining attribute of romance fiction? It’s not a genre I read, but I hear/see discussions, and my impression is that there’s a lot of rape in the romance genre. Especially in older works, but even Kate Breslin’s For Such a Time, shortlisted for this year’s RWAs, portrayed as positive a romance between a woman and a man with complete power over her.
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Re: rape in romance--yes, there's a history there, but modern romance is way less rape-y than it used to be, and this is an issue that gets acknowledged and talked about considerably on the blogs I follow, Dear Author, and Smart Bitches Trashy Books. There's a lot of public discussion about how to properly warn rape survivors about books with rape as an on-camera event, or as character backstory ( ... )
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Also: it gets people reading. I think that's good for more than just kids.
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And yeah--I've said it before, but the usual heteronormativity and gender roles are most often what keeps me from reading contemporary romance. I can't put up with it there. (Oddly, I can deal with it more in historical settings, go fig...)
And OH MY YES re: screwing up the Hugos. The romance genre is not without its drama in that respect--witness the brouhaha around this year's RITAs and how a novel featuring a relationship between a Nazi concentration camp commander and a Jewish prisoner got itself nominated. But SF/F is taking the drama crown this year.
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