I recently ran up against an interesting worldbuilding issue: a reason for smeerps.
In case you're not familiar with the convention of
"calling a rabbit a smeerp", it is when a writer of sci-fi or fantasy includes something that is clearly recognizable as an existing object, concept, or creature (e.g. clock, love, rabbit) in a non-human (or at
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I don't have much to add, but I wanted to underscore your connection of smeerpage (excellent word, btw) with culture. You mention it in the context of Hopping Death, but I think it's the operative principle behind your smeerpage of the sari-like garment as well. The reason you need to smeerp it is that saris have cultural connotations that don't match your characters' culture--just as the word "rabbit" would have cultural connotations (fuzzy, timid, harmless, etc.) that wouldn't match the carrot-people's culture.
I think "castle," on the other hand, has been used in so many novels, movies, and fairy tales--with varying degrees of realism--that its cultural connotations now include "medieval Europe or anything remotely resembling it."
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But why would you link to TVTropes, Nic? Why would you do that to me??
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Have you read DWJ's short story "Nad and Dan adn Quaffy" (yes, that's how I meant to spell that).
Oh - haha, just went to look at the TVTropes page, and it quotes that story. :P But yes, an interesting point. I think it's also the reason so many fantasy books include cats, treecats, Cats in Space, etc. (And, incidentally, why so many mystery protagonists have cats.) I suspect that writers, on average, own more cats than the general population.
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