I've had Henry V on the brain all week, probably since I watched the ESC version on Monday, and it's one of the texts I ordered for my Intro to Lit class (I figure it'll be fun to teach -- if they're giving any thoughts to current events, it'll get them talking, I hope). For some reason, I have a weird urge to watch the Olivier version now, though
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I wasn't much impressed with Stephen Waddington in the title role, either, though Tilda Swinton was terrific (if really scary) as Queen Isabel...
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BTW, I'm adding you if that's OK.
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I'll probably be on quite a bit about how it goes teaching Henry V, though it doesn't come up on the syllabus until late October/early November (which is mostly coincidental). The topicality is part of the reason I wanted to teach it -- I figure if they're thinking about current events at all it'll get them talking -- the other reasons are of course that I have a lot of different movie versions to show them, and finally, I just love the play, being a total second-tetralogy fangirl. ;)
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I love when things turn out to be topical. Once a class on a Star Trek episode (no joke) turned into a discussion on copyright, the morality of file-sharing, and the extent to which the owner of a product has the right to set unreasonable terms of sale. It was great.
Something about Henry V that has always given me pause, though, is the apparent glorification of the marriage at the end, and the problem of Katherine's status in it all. Usually this play is so good at problematizing its own moral questions and bringing them to the surface -- but not the question of Katherine's place. That part of the play just lands with an ambivalent thud. But it's been a while since I read/watched it. The Falstaff flashback in Branagh's movie is superb, anyhow.
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