Oct 28, 2013 11:00
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Comments 38
Watch that Paxman interview and compare to the sort of interviews Ali G used to have, or Borat. With the small exception that Brand is the interviewee not the interviewer, it's the exact same format. Say some obviously stupid, obviously controversial things and try to get a reaction from the other person.
I should add that after that video, I'm not really despairing of politicians, but I am despairing of the BBC...
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1) Build HS2. Expensive, but gets you a proper modern train line up a chunk of the UK, with the potential to expand it up to Scotland once the first phase is done (admittedly in ages).
2) Upgrade existing capacity. Less expensive, but still quite expensive. Would give us better existing lines, but you'll still have lots of congestion problems because you can't put fast and slow trains up at the same time (as the fast trains get stuck behind the slow ones).
3) Do nothing. Costs bugger all, but leaves you with a train system that's rapidly running out of capacity.
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And upgrading existing capacity merely kicks the problem down the road for a decade or so. There *needs~ to be more capacity, not just for passengers, but for freight as well.
Oh and Labour's idea to re-open the Great Central Railway is both romantic and utterly daft.
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But, for instance, nobody has popped round recently and offered to wash my windows, do my gardening, etc. If you had a guaranteed income of (say) £6,000 then it would be in your interest to do the occasional odd-job that would bring in extra cash.
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He's spot on about Hollywood and dead wrong about what you should do if you don't need a studio exec to greenlight your movie. Just as launching a webapp without doing any research to find out if people want it is a soul-sapping, time-wasting process, so (in many cases) is making a movie without any idea of who would want to see it or how you'll tell them about it.
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If it's the latter, then listen to nobody and make the thing you want to exist. If you're less obsessed about a particular vision then obviously making it marketable makes sense.
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The one wrinkle here is that it's easy to believe that you don't care about the market's reception of your film. When they release their life-savings-and-two-years' worth of work to a grand total of 5 sales and 400 people on YouTube saying their trailer is boring, many people discover their estimation of how much they care about the market isn't 100% accurate.
There are also other options beyond "doing it for the money" and "doing it because what you want is to have a particular film exist".In fact, most filmmakers who make more than one film fall into category C.
I, for example, certainly am not in film for the money - I've got a lot of highly marketable skills which would make me vastly more reliable cash than filmmaking if I chose to pursue them full-time - but I do enjoy making films that people want to see.
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Finding the balance is tricky, of course.
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