I visited my father-in-law a while back. He loves--absolutely loves--British murder mysteries on TV. They were, in fact, all we watched the entire time we were visiting him, because he as about eleventy billion episodes downloaded and burned on DVD. We were about to watch Sherlock Holmes, and were discussing different importations of Holmes into
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"Interesting note: Dalí was able to get the Louvre to x-ray Millet's original, and there is a coffin-shaped box below the basket of potatoes."
What made Millet change his mind? What impact does this knowledge have on the work's reception and interpretation: Does it make it better? worse? Is a good-bad dichotomy the wrong frame for it? What if we didn't have X-rays and the first draft were therefore never discovered?
But besides my mind being totally blown, man, this whole entry really is great. Specific circumstances may change, but humans behave the same ways as always ( ... )
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That remaining faithful to the artist's vision does not necessarily mean discounting the less-popular theories.
"I struggle with being terribly binary all the time, myself."
Really? I wouldn't have guessed. Is it an ambivalence thing, by any chance?
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the rewriting of a moment in the series so it is all perfect language, langorous imagery.
ooooh, yes, that is a wonderful way to put it.
those first three renditions are almost chillingly fitting for your purpose, too-- the basket >> the emphasized barrenness of the second one >> the presence of the smaller figure in the third. now i'm wondering if theres a (good) way to incorporate classic visual art into fanfic, perhaps as something of a theme/indicator of theme. oh, the possibilities...
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I've been wondering the same thing and am working on that in Due South, anyway, in an AU series and also in a non-AU piece in which one of the characters goes undercover as an artist's model. Might be some time before the latter is done, and I haven't done the drawings in question yet. But, for instance, I will draw one of the characters as Michelangelo's David. Hey, it could work. :) Anyway, as an art student and a fan writer & artist, I agree there are many fascinating possibilities. :)
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I think this just really shows that fanfiction isn't something that should be snubbed. I'm sure there are many papers written about the subject already, but I honestly believe it helps the creative process, or at least prompts discouse. I know I wouldn't love this show half as much if it weren't for the great fic that helped me see my favorite characters in a new light. And to that end, all the different perspectives lead to your own unique perspective. So it may not be universal, but then again, I don't want universal perspectives, I want many different ones so that I can change and grow.
What I'm trying to say is, I agree and THIS IS SO COOL, and try and sound clever saying it.
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I assumed the peasants were praying (while working) in the Angelus because the Angelus was traditionally prayed at 6, noon, and 6 every day, no matter where you were. Not that it changes much about this great post. :)
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Firstly, I am so pleased that you referenced Dali's Archeological Reminiscence of Millet's Angelus. It is my favourite of his paintings, and when I read the introduction to your post I thought 'ah, yeah he did that with Archeological Reminiscence of Millet's Angelus'. So I made myself feel clever at the same time ;)
But there are a lot of good points in this. It's interesting to see the strategies fanfic writers using being compared to Dal's reimagining of other artists' works. There are a lot of similarities there, and they make perfect sense in either universe.
Dali and fanfic writers are doing the same thing.
"Because," I snarked, "if you write fanfiction for something more than a hundred years old, you can publish it."
Yes. It always interests me how fanfic that's a) over a hundred years old b) based on a classic book or c) not fangirls flailing on the web becomes somehow more than fanfic. I studied Wide Sargasso Sea for A Level English and the fact that it's a ( ... )
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