Well,
it also not only fails the Bechdel test so badly that it not not passes it but flunks it so badly it could be sleeping with the professor and still not manage a D. Which is a function of the fact that there are only four speaking parts (at least so far) in the whole thing (and NPH, Nathan, and Felicia are all perfect for the roles)--but
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And is it me, or are Pennys invariably sweet, frail, female love interests?
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I hope she's not Bad Horse--there's really no foundation laid for that, and it'd really invalidate pretty much everything we've heard Felicia sing so far. I mean, I'd love to watch Felicia rock a singing supervillain, but it'd be a cheap twist at this point. I think at the end of the day this forty-five minutes isn't a story about Penny's agency--or Capt. Hammer's, or Moist's, or anybody else's--and that's okay sometimes. Just not all the time.
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I had a post written and never revised on the whole "individual versus pattern" thing, wherein one set of people keep asking "is this thing, taken solely on it's own, racist/sexist/etc?" and the other is asking, "is this thing part of a larger pattern withing which it is racist/sexist/etc?" I need to get back to that some day. It may be supplanted by a post entitled, "I'm criticizing Doyle, and you're defending Watson."
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I suppose a film which makes me cry has affected me in some way, but since The Kid and Eight Crazy Nights both had me bawling I'm not sure "enjoy" is the right word--pretty much anything with the right mixture of will-to-poweriness and sentimentality will get me every time; I'm particularly susceptible to fictional funerals, with all that sudden outpouring of love and devotion. I get jealous of the corpse.
But yes, I enjoyed both Princess Diaries 2 and Superman: Doomsday, although of the two ( ... )
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And yeah, crying because it was so bad was the other reason I was talking about.
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