I think in a lot of ways the solution to problems in art is to amplify them. If she seems like a strong metaphor for a silenced minority, maybe amp that up. Alternatively you can just avoid talking about the problems at all -- in my book, I'm writing almost exclusively about a lesbian relationship among teens, but there's no coming out scene or like familial strife really associated with this, because I didn't want to make the characters seem like stereotypes ("oh, they're gay; there'll have to be a coming out crisis"), and at the time I had no idea how to even approach the topic of coming out
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