I love old comic covers. The great J.M. DeMatteis
recently described the allure of classic covers as being "like cosmic portals, opening up doorways to other dimensions; colorful parallel universes far preferable to the one I inhabited
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Even if you only had the issue in scraps and fragments, I'd still want to get them framed or put in a scrapbook or something. Maybe use them in an art project, but I dunno, something has always appalled me about people using actual comic book pages in art or wrapping paper or something.
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I've always wanted the Titans issue, but have never been able to find it at a price than I thought was affordable. Also, I just know the story's gonna be disappointing.
Oh, and totally agree with you about O'Neil/Adams-I think their subsequent work on Batman more than bears out your thesis. As much as I love Batman's long history, I think of the Englehart/Rogers run as the beginning of "my" Batman.
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And I must give credit where it's due: without O'Neil/Adams, the Englehart/Rogers run would never have happened. Denny and Neal were trailblazers to a new era, and deserve to be recognized as such. But their stories were hardly timeless, flawless classics, even by the standards of comics from the era. Meanwhile, the Englehart and Rogers run feels fresh and exciting today. Why it's not being pushed alongside Year One and Long Halloween as an essential book for new readers looking for Batman stories is beyond me.
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Don't get me wrong-I like the O'Neil/Adams run. In fact, one of my earliest exposures to Batman was the Power Records adventures, so my formative impressions of Batman were very much Adams' interpretation. And how come Harvey was never in those? I'm sure an audio version of Two-Face would've scarred four year-old me for life (no pun intended!)
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As for the other characters, Sarah Essen and Barbara Gordon weren't... well, I'm not sure they were stellar, but they didn't strike me as offensive. Holly was shrill and annoying, but then again, so are many girls her age.
Harvey always seemed to get the short end of the stick, possibly because--as you note--there's not exactly a way to make him kid-friendly. Kind of strange that the Joker is, though. Personally, I'd find a murderous clown far more traumatic.
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Is there any painless way for one to retcon the dumber Two-Face appearances in continuity (The Face Schism, etc.) into impostors?
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