One of the most distinctive aspects of The Bronze Age of Comics (early 70's to mid 80's) was how it mixed classic superheroics in a greater sense of realism.
Or at least, that was the attempt, more often than not. Even those results that were groundbreaking at the time now read as dated, ham-handed, and/or just plain silly. I mean, I know it's
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(To emphasize, the *ENTIRE* Nazi spy network in Britain was compromised. Every single one.)
Sometimes the spies didn't know they'd been made, but many of them were willing turncoats, and actually were committing treason against their government. (From the Nazi point of view, of course.)
...and really, I don't see how what Harvey does in this story isn't treasonous. Not that, as you said, it doesn't take big brass ones to flip off both the US and the USSR at the same time.
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It's certainly one of the worst Two-Face stories to date, although it seems it actually has its fans. I'd honestly like to know why.
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If I remember correctly, this story is vaguely referenced in Wein's Arkham story, where Batman notes that both Two-Face and Joker (who crashed his boat into some rocks in Batman #321) are believed to be dead. Thus creating an Arkham whose most famous inmate is Maxie Zeus.
Kinda interesting how, for all the hamfistedness of the Bronze Age, they were actually pickier about who was insane, heh?
(In fact, before the Crisis, Riddler and Poison Ivy both went to normal jail, as did Mr. Freeze.)
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Man, that Wolfman story is so clumsily cobbled together. When I bought the Wein Arkham story, I was actually hoping it'd lend some insight on the events in the Wolfman one, but no, they're unrelated.
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