Note: As you start reading this review, you may get a sense of deja vu and asks yourself, "Wait, didn't I already read this post?" That's because I already reviewed the first part when it came out six weeks ago, with the original intention of trying to review each part every week, something I obviously didn't get around to doing. I held off for
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At 00.35 here Peter Tomasi announces that the next BATMAN AND ROBIN story arc will be a Two-Face story:
http://www.newsarama.com/common/media/video/player.php?aid=49536
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... Wow, there is a LOT going against Tomasi here. But he's still a great writer, generally speaking, and if he can tap into the good parts of his Harvey from N:TGL, then that will be awesome. As it is, I am nervous.
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...as for how he'll be depicted, I don't know if Tomasi will write him like he has before, or will it be a 'New 52' version? I've been reading his B & R run from the beginning (and enjoying it) but there's been nothing to indicate that there's been any kind of a reboot, oddly enough (while people like Lobdell are changing things just to change things.) To be honest, I'd MUCH rather read the Harvey from 'The Great Leap' and 'Face the Face' than see him raked through the coals like Tynion did with Freeze and Hurwitz is doing with the Hatter...
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If comics have taught me anything it's that the only version we can count on seeing is the one as written by the same creator who wrote that character earlier on. I sincerely doubt that Tomasi will adhere to any other version but his own from Nightwing (directly derived from Face the Face, which he edited), seeing as how every writer has done that with the character over the past decade or so. Heck, it's not like the editor is trying to adhere them to a consistent version anyway.
And oh jesus, what's Hurwitz doing now?!
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The last four issues of THE DARK KNIGHT have been the origin of Jervis Tetch, because, according to the creative team, 'there's no definitive Mad Hatter story'. (*ahem*) The origin, which they say is inspired by Charles Manson, is thus: Jervis Tech is a haberdasher's son. As a child, he takes a girl named Alice he likes to an 'Alice in Wonderland' theme park. They have a nice time. Cut to years later and Alice isn't interested in him anymore because he's...short. So Jervis's parents take him to a doctor. Turns out Jervis has a testosterone deficiency. The doctor offers a radical new medication that will remedy this ('One pill makes you larger...') but it might drive Jervis insane. So of course he takes it. It makes him lose his hair, so he starts wearing...you guessed it, HATS! He gets progressively more mental until one day he kills his pet rabbit. His parents then put him in Arkham Children's Hospital.
I'm sure there'll be more, but I won't be there to read it.
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Hurwitz also redid the Scarecrow's backstory fairly recently, in which Jonathan Crane went insane because his mad scientist father did fear experiments on him when he was little. Being a fan of the Scarecrow: Year One backstory with Crane being raised in Georgia, the new origin didn't go over very well with me. I didn't really like the rebooted design for the Scarecrow, either: it reminds me more than a little of the Nolanverse design, and I can't bring myself to warm up to it.
Maybe I'm just bitter because I liked the older Scarecrow backstory a lot more, but I think it's also the hat. I can't be the only one who misses the hat.
- Crow's Talon
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I agree with you everything you said.
- KM
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The thing with Jervis is, his theme is a book. It is quite easy to explain how people get obsessed with books, particularly children's books, which we may retain an affection for all our lives. I know of at least two conventions specifically for devotees of different children's series; this is not an uncommon thing. This is especially true when you're talking about something like the two Alice books, which get referenced constantly - I mean unceasingly; I compiled a list of the top ten most-adapted characters in fiction not too long ago, and Alice was on it. It's all too easy to understand how someone could become dangerously obsessed with the mythos; it's everywhere. Turning ( ... )
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But, of course, it wasn't.
( ... )
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Oddly fitting for a Two-Face writer, I must say.
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