After a throw-away scene with the Fat Lady and Nearly Headless Nick, Harry runs up to Dumblegod's office to give him Slughorn's memory. They journey into the pensieve and see the same memory as before, this time with substance instead of mist. Turns out Slughorn did tell Riddle about horcruxes and how they are created. Riddle is most interested in
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Snape?
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I wonder if this was moral posturing? JKR says she's not in this to teach the kiddies any lessons (Buddha knows, she didn't do girls in love any favors), but I wonder if not addressing the Difference Between Killing And Murder was intentional as a way to avoid the issue entirely, thus making it appear that she's NOT proselytizing? I don't know if I'm making any sense, but it seems like the author winds up looking like she's making a stand (all killing is bad, period) while trying to avoid making one (sometimes killing is justifiable or unavoidable).
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It was 50 years ago, it was probably the father of Bella's husband.
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Next we come to the confusing part of the chapter, where Dumblegod tells Harry that he's setting too much store by the prophecy, you know, that thing that the entire previous book centered around. Well, apparently, prophecies are only significant if they are acted on. Since Voldemort acted on the prophecy, he fulfilled it. If he would have ignored it, then Harry would be just like any other kid. Basically, Voldemort created his own enemy.
Ah yes. Well. *cough* So the Big Reveal of OotP (really, of the series through OotP) turns out not to have been such a big fricking deal after all. Good thing Harry didn't spend a lot of time obsessing about it during the summer.
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