Hey, gang! So, I floated the idea of a mythology comm a little while back, and a couple people pointed out that unless we're actually plotting together, that seems unnecessary. I'm still open to a comm at some point -- but until then, what I really want to do is get some Millicanon settled, and in one central place so that people can reference it
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Back in the day, he lived on Earth with Pandora briefly. When Pandora died, he went back to Olympus and tried to stay out of everyone's way -- I imagine he had occasional run-ins with Zeus where he bit his tongue, and occasional spats with Artemis for hunting his animals, and then probably occasional spats with Apollo for the occasional spats with Artemis. *grin* But! Flexible there, totally.
After Prometheus was freed, Epimetheus dropped off the radar for while, and since then has spent his time wandering around Earth, spending most of his time in rural areas on farms. He's gotten pretty much everywhere, though not to most of the Middle East (too busy and loud for his tastes, and too much chance of running into Ares or other family or hell, other gods, which is always so awkward 'cause you have to ask about their kids or ( ... )
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Anyway, my response might be on the long side, seeing as I've been playing Eros since late 2004. Holy crap.
Eros enters from modern times, where he enjoys a pretty cushy life, bolstered by the fact that although few worship him by name anymore, mortals still love having sex. (I think I may have millicanoned at some point that anytime someone yells out "Oh God" in bed, he gets the credit.) One way or another he still has all of his old powers. He's also fairly wealthy, partially as a result of several millenia worth of life, and partially due to the fact that he somehow managed to copyright his (as Cupid) image a while ago, so every year on Valentine's day he makes a killing off of the royalties. He also has been involved in the production of several soap operas and some of the best romance films of recent years ( ... )
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(It doesn't particularly help that the Line is long and has a tendency to wind in the wrong directions. The river sort of promotes absentmindedness, so the dead don't always reach her in chronological order - and Lethe's personal grasp of history is vague and not in the right order in some places.)
She's a good little minion though, so she hasn't ever been Above in order to know what her time is. She's pretty disconnected from any outside or upstairs politics.
To be entirely honest, other then coming to the Bar, she hasn't really left her river unless she's been called upon. Which she strives not to be, because being called on usually means that you've done something wrong. And upsetting the person in charge of you when that person is Hades isn't really the best of plans. She keeps quiet and finds it terribly convenient that she's easily forgotten and overlooked. And though ( ... )
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