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…was the title of a rather splendid discussion panel, hosted by the British Library, to help launch their sci-fi exhibition ‘Out of this World’.
The panellists were: Erik Davis, China Mieville, Adam Roberts and Tricia Sullivan. Luminaries all.
(Very) edited highlights included the following ideas:
Adam saying that SF hit a watershed moment with the release of Star Wars, which marked the beginning of SF’s transition into the mainstream, but also began a shift of it’s key identifying characteristic: from being a literature of ideas, to being a vehicle for visual spectacle.
Erik’s rejoinder to the above - that the content of Science (as with all fiction) exists as a relational property with the reader, and you never know what’s going on in people’s heads. Even the cheesiest ‘exploding spaceship’ SF can provoke interesting ideas in it’s audience.
China pointing out a major flag of the ‘mainstreaming of SF’ was meta-indicators. He mentioned that not only the conceptual furniture of SF, but the furniture of SF Fandom (Like ComicCon), was making its way into the plots of mainstream shows like Psych (‘Shawn vs The Red Phantom’, S1 Ep 8). Even the proliferation of SF tropes is becoming a trope, that’s how far along we are.
Tricia latching onto the idea of the SFing of the mainstream, and a question from the audience about why SF is seen as something adolescents are into, and making the following point: We live in adolescent times, the future feels full of both potential and risk. At such times, maybe more people embrace s SF because the’unfolding of the new’ that occurs in it, resonates with them more.
Which is an interesting point. I’ve felt for a while that the bildungsroman ‘emergence into a new universe’ character of a lot of SFF was a good fit for the adolescent experience. But my gut says the current boom in acceptance has less to do with cultural instability, and more to do with the fact the people’s lives aren’t as predestined as they used to be. Jobs for life are pretty well a myth, people encounter more and more opportunities to reinvent themselves at later and later stages of their lives now, and maybe SF is what they want to be reading while they’re doing it.
What do you guys think?
Best question of the day, from a guy in the audience: ‘If SF speaks to everyone, why did my girlfriend make me come here alone?’
Best intra-panel showdown: China vs Tricia and Adam on the sins of Michael Bay’s Transformers. In the words of my esteemed girlfriend ‘Big Stompy Robots, HA HA HA!’