Old news: lj is dead. Everyone is crazy busy, or they have other reasons not to be here. No one has time to read those huge meta posts we used to write once upon a time. But maybe we can all find ten minutes to do this:
FREE-FOR-ALL META COMMENT-A-THON!
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http://community-anon.livejournal.com/4970.html?thread=21130602#t21130602
And general talk about fan-casting and what attributes would change and/or stay the same:
http://community-anon.livejournal.com/4970.html?thread=21132138#t21132138
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There was some meta somewhere on how Hannibal Lecter is a prime example of a particular type of male (not just sexual) attractiveness. He's a sophisticated, ambiguously European white male in the social and professional elite. His attractiveness might not be so much from his looks (depending on your view of the actor) as his aristocratic manners and intelligence combined with sensuality in his artistic/gastronomic/homicidal-passions. This is makes him dangerously trusted and alluring to those around him, and he abuses this pull for his own means, in contrast to the socially uncomfortable male empath Will Graham.
Now, after watching the Hammer Horror Carmilla adaptation The Vampire Lovers, I got the random idea of casting Ingrid Pitt as a genderbent Hannibal. She's tall, European (though not Lithuanian) and looks strong enough to execute the complicated murders and manipulations. In The Vampire ( ... )
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but one point I wanted to bring up: genderbending Poison Ivy
Her attractiveness is a primary, not additional, factor in many of her plots. This is in contrast to male villains, who are ugly, scarred, or whose attractiveness supports other factors like power/prestige/etc. How to translate that to a genderbent Ivy?
Also, Ivy has fierce mama Earth Mother tendencies, and I can't think of a male equivalent for that at the moment.
I wish LJ didn't eat up what I had written before!
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In season two of The Killing the lead female character is committed and her child is removed from her custody. This set of events is put into motion by (some of) the people that she is investigating because she is getting too close to the truth and they need her to back off ( ... )
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