I'm lying on my sofa with the laptop on my legs. Derek Jarman's Blue is on TV in the background, washing the room with, well, a wireless glow. I don't think Jarman could have known that the colour tone he chose for the film would be replicated by BskyB and O2 for years to come.

I haven't seen Blue, this exercise in radio-dream as film, before. The ( Read more... )