"Masked Menaces!" the
headline reads. "Costumed Caperers Could be Kinapping Your Children!!!" A picture of some poor slob dressed up in a frankly terribly Spidey costume takes up a good chunk of the page. The caption? "POISONOUS INFLUENCE: This man is clearly up to no good. Look at him
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Looking down at her now, I experience, for one of the first times in my life, a sense of vertigo. I'm Scottie and she's Judy Barton, so similar to my Mary Jane -- to my Madeleine, if you will -- except for a few key differences. She’s younger. Her eyes are blue. She doesn’t know Gwen Stacy and John Jameson was never a villain. Thing is, though, unlike Jimmy Stewart, I don't want to change her. As far as I'm concerned, Mary Jane -- any Mary Jane -- is perfect just the way she is.
And that's what makes this so hard. My behavior last week was inexcusable, sure, but it's worse than that. It's a betrayal to two people: Mary Jane, my wife -- because I shouldn’t care about who an other woman spends time with -- and Mary Jane, my friend -- who didn’t deserve to be publicly humiliated because of a case of temporary insanity.
"I-- No."
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Still, she didn't move yet, lingering where she stood. Either walking away or asking if she could head up there were equally likely to make things worse, and she wasn't sure she wanted to do either.
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Those two words -- those two horribly inadequate words -- hang awkwardly in the air. I find myself wishing for some sort of distraction, an emergency to dash off to or anything, really, that requires the expertise of Spider-Man and not Peter Parker. But there's no mask to hide behind. No clever joke to break the tension. There's just the both of us and the empty space between.
I crouch on the ledge, my head buried in my hands, and I pull at my hair. The thing is, for all that those two blasted words are virtually meaningless, they're a start. Maybe not a good one -- no, definitely not a good one -- but they are a start.
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"Oh," she said, no proper response coming to mind just yet. What she did know, though, was that here and now was not the time and place for this, with him a story above her, so openly with people coming and going on the path. "Should, um - do you want me to come up?"
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I've lived with guilt* for a long time. It's nothing I'm not used to.
*Check out all the scintillating details in Amazing Fantasy #15!
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And so, smiling sheepishly, I nod and say, "Right."
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"Hey," she said weakly once she'd reached the roof, lifting her free hand in a slight wave. "This is better. Quieter, you know."
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I shift awkwardly, my hands held loosely at my sides. I can't help but think how different I look from the last time we saw each other -- well, before what happened with Gambit. I'm wearing color, for one, even if it is a sort of drab, olive green sweater vest over a white collared shirt. My shoes are tucked behind one of the stacks of books, so I'm standing in my socks.
Suffice it to say, I'm not about to bust a move anytime soon.
"Uh..."
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"You just... wanted to make a scene?" she guessed, unsure why she was even bothering to ask. It wasn't like he'd been in his right mind at the time. She deliberately didn't add, though, something about it having been, as he'd put it, for her.
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I stop myself short, both in speech and in action, my mouth hanging open mutely until I remember to snap it shut. Turning to face her, I push my hands through my hair and I mutter, "It's not like we're together."
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I'm not even sure if it makes sense. The double negative trips me up a little, but somehow I think she'll get the gist of my meaning, anyway.
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"Well, you need to make up your mind," she told him after a moment, head lowering along with her voice, eyes fixed somewhere around her feet. "You can't act like - like you own me, or something, and then push me away like you did before." She didn't think she needed to get any more specific about that incident. It wasn't all she had to say, though, and managing to keep her hesitation at bay, she added, "But if you want me, I'm yours. All you have to do is say so."
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