Name three things that you're looking forward to in the near future and why.
One: May 18th, and the Boston Youth Symphony Orchestra's 50th anniversary evening.
Why I'm looking forward to it: Yo-Yo Ma. What's not to look forward to regarding several hours of God's own fucking gift to contemporary cello?
Oh, and they'll be playing Dvořák. My
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Do you know which concertos Yo-Yo Ma will be playing?
I'm Pippa Kerr, by the way. I don't mean to butt in unwanted but I couldn't help be a bit giddy over the fact that someone else appreciates classical music and Dvořák in particular isn't someone you often hear praise for.
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It is true though. Other than the beloved, by which I mean overplayed, Ninth, Antonín gets little love these days. Frickin' shame, that.
Pleasure to meet you, Miss Kerr. Paul Smecker. You in Boston?
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I may sound like a bit of a blasphemer for this, but I've never really cared for From the New World. I prefer the Fifth, actually. It was a large departure from his earlier works and I like the change of pace and the 'risk' he took by expanding his particular influences.
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The Fifth? Pass. Barring the second movement, it holds nothing of particular interest that he doesn't do better with the Sixth. And with either of those I'd just as soon hit Beethoven if I'm in the mood for pastoral, thanks.
Now, if you want to talk about the glorious goddamn Seventh, that, I am perfectly willing to grant its superiority over the Ninth.
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Autobiographic significance aside, and I do appreciate that about the Seventh, I'm not so much into tortured music. I will listen to it over any emo boy band though. If you are going to do it, do it right and Dvořák was capable of pouring palpable emotion into his music.
I can't imagine anyone wanting to turn down a ticket to see Yo Yo Ma play. I'd want to go just to get a look at his cello. The Davydov Stradivarius...I'm a pianist but my word is that a gorgeous instrument.
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Haven't run into Breschi yet. I'll give him a chance. Right now I'm mainlining Uri Caine.
*lips quirk* I think Antonín may have just flipped in his grave at being compared, even obliquely and favorably, to any of today's "emo" acts. Tch tch, Pippa Kerr.
Yeah, well, people are idiots. This is nothing new. As for the Strad, it's entirely possible I might spontaneously orgasm if I was in its immediate presence yes, it's beautiful.
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Can't go wrong with good jazz.
Mea maxima culpa, Mr. Smecker. I wasn't trying to insult your personal musical preferences in the slightest. And I certainly was not trying to insult the brilliance of the composer.
Unfortunately, I have to concede your point about the general lack of intelligence and ability to appreciate the finer things in life becoming de rigueur. I really wonder about people sometimes.
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Oh, Chrissake, don't go apologizing; we were doing so well. And if you must apologize, don't borrow from Latin mass to do so. (That's a quirk of mine.)
I don't. Wonder, that is. I've long since resigned myself to the fact that everything's going straight to hell. Give yourself a coupla years, Miss Kerr, and it will cease to bother you either.
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and their quirks even if some of them are simply beyond the pale as far as I'm concerned.
What if I told you it had less to do with a Latin mass and far more to do with time spent in Italy, would the apology be less offensive? And if not, you may consider it retracted in full.
I have my reasons.
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No, it wouldn't, unless you find a reason to explain why time in Italy would lead you to say mea maxima culpa instead of colpa dolorosa mia-- said explanation not involving the Catholic church in any way, shape or form.
But if, as I suspect, papal Rome has some hand in it one way or the other, then I will accept your retraction.
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Parla italiano, signor ?
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